Hanging out with Charlie

Well, it’s been a strange couple of days. My head has kind of turned inside out and life has become very surreal. I take Charlie for walks but he struggles to walk in straight line and is desperate to circle clockwise instead. If I try to stop him, he just chokes himself tugging against the lead. We have this little system going where he circles around me as I change the lead from hand to hand. Crossing a road is rather interesting, and he now walks about 5 metres for every 1 metre forward. We make a bit of a sight. He still loves sniffing and piddling on all the shrubs so life is not entirely without its rewards.

I’ve also been taking him on car trips which used to be incredibly exciting but now not quite so much. When it’s warm enough to run the fan he still loves the air in his face. We can’t do too many walks so I’m trying to find other good things to do. The best I’ve come up with do far is being allowed up on the couch to watch a movie with me. So we are doing a lot of that.

I really wanted to take some off to spend with him and give him lots of attention, but its also feeding into some really confused thinking. I remember reading once about how suddenly bring treated extra nicely can be a warning sign someone’s having an affair, and it keeps going through my head. I feel like I’m betraying him, and deceiving him into the bargain. Like, be really worried if Sarah suddenly gives you lots of treats, she’s actually planning terrible things. Oh, and that my choices to do voluntary work I really believe in rather than paid work have actually all been selfish and if I hadn’t been so self indulgent I would have more money for treatment and wouldn’t have to kill my dog. Strange how your thinking mixes up under stress.

Still, I’m grateful for the time. He so deserves the love and attention, he’s such a sweet little chap. When I manage to surface from the overwhelming guilt (I’m a terrible pet owner, I’m missing classes, I’m letting my groups/co-workers/friends down, I should have got a real job, walked my dog more, spent more time at home, and so on) I’m actually enjoying spending time with him, lying on the grass in the park, curling up on the couch, watching him loll his tongue as the car fan blows into his face. It’s sweet. Love him to bits.

My short film; Regeneration

I recently completed a Film making Bootcamp, hosted by the Media Resource Centre and Mindshare. In a team with three other people, Steve, Helen, and Sue, we all wrote, filmed, and edited this short film, with support from the much more experienced Victoria. 🙂

Our theme was Mental Health and Community, which we chose to express through the development of a garden. We called it Regeneration.

If the video isn’t loading for you, you can click here.

It was amazing to be part of every step of this process, from the original cafe conversations about concept development and themes, to the writing of a script, then drawing a whole story board of every shot we wanted to take and working out what order we wanted them in for the story. Then, re-ordering them according to the best order in which to shoot them. This was very complex – we had only one day to shoot the whole film, and it took the whole day to shoot just 25 mins of film, which was edited to a 4 1/2 min final film! This presented us with some difficulties regarding weather, light and shadows. In fact, the very final shots of the cuttings in the door way were the very first ones we filmed while we had good morning light, as the doorway is in shadow for the rest of the day. We had to be very careful doing this particularly as our protagonist undergoes costume changes through the course of the film, and it was very easy to accidentally have her wearing a hat in a shot before she should be, or having nail polish that disappeared and reappeared. We also had a lot of complex scenery changes that had to be done extremely quickly so we could shoot all our footage before we ran out of light, Sue ran around potting plants and creating and unpacking sets while Steve and I set up shots. I have a lot of respect for the people who make all of these come together in full length movies! We grouped our shots according to costume considerations, the quality of the light, the type of shot (hence which lens we needed) and how important the shot was, so if we ran out of time and lost the last few it wouldn’t destroy critical plot elements in the film.

The filming process was so enjoyable, the very tight and highly edited silent style we went for was like shooting a visual poem. I would look at shots in the camera and suddenly shadows came alive and tiny details had great impact because each sequence was a single gesture or movement. We also chose to very rarely show faces so that the film became not one person’s story, but could be anyone’s story. We used a digital SLR camera so that we use a macro lens to take a lot of high quality shots less than 15cms from the subject. It was difficult to stick to the story board and not run about taking hours of footage of the breeze blowing through lavender or the way the light was falling on the leaves. It was quite challenging for Helen who did the acting, unlike theater which Helen is extremely experienced in, filming required redoing the same actions over and over, and getting tiny details like stepping exactly into a tight shot right each time. This film was also extremely bitty in the filming as we had only one camera and a storyboard that moved quickly from shot to shot. Much of the early part of the film where Helen was on the ground was cold and very uncomfortable for her. She did an amazing job of adapting from a theatrical style of acting where gestures and emotions must be felt by someone sitting forty seats away in a dark theater, to the very restrained and controlled style of acting required for a film half of which is shot with a macro lens.

Editing was stunningly time consuming but also really enjoyable. We did things a bit unusually by first choosing the best of all our duplicated shots, and arranging them in our correct story order. Then we went back to the music we’d already tagged as good possible matches for the story, and as it turned out nothing was quite right. We listened to many more tracks and late in the day discovered the track we used, 4 1/2 mins, moving through the 3 parts of our story naturally (isolation, growth, community) without being too maudlin or too upbeat. We then spent a whole day editing every shot down or removing it, rearranging it, and matching it to the music, which was not quite enough time for people like me who had never even used the software (Final Cut Pro) before. I have learned so many skills in this project and I am tremendously proud of the final result. My team were awesome, all of us brought considerable skills to the project but none us let our egos get in the way. We pulled together and put in a lot of extra hours to get each part right before we moved on to the next step. We were also really lucky to have Victoria mentoring us, who was a natural teacher, stepping in when we got out of our depth, and handing back the reins the moment we wanted to do things ourselves. The final result has a blending of all our skills and ideas. I love it, and I’m really looking forward to repairing my camera and making more short films like this.

Wild flowers

I’d been practising my face painting techniques with flowers, and started to design my own sprays of wild flowers. Flowers are a good design to be able to do quickly and consistently well as they are often used to fill in or outline more complex designs such as masks. I’m really happy with my technique here, I can paint these very quickly and I think the sprays are lovely. As you can see I’ve been continuing to add to the range of colours in my kit, there’s now a really good selection of pearl/metallic colours, all of which I’ve converted to split cakes so I can get really beautiful two tone affects when I want to.

Saying goodbye to Charlie

It’s not a good week here. Charlie is near the end. I’m cancelling a lot of my appointments and staying home to spend time with him. The vet has said that either he has developed quite significant senility, or has a brain tumour. Either way I feel we’ve given him as much health and time as we can and it’s becoming inappropriate to leave him alone for long stretches of time as he can no longer navigate even small distances with ease. Hopefully  can make his last week a good one, I’ve bought lots of his favourite dog chews and treats and if the weather is good we’ll take as many walks as his arthritis will allow.

RIP Loki

Loki has been battling cat flu ever since he came back into my life in December last year. We took him to the vet and got him on a course of steriods and whatnot, and were able to put some weight back on him and get him in much better shape. But it wasn’t something he could entirely shake off, and this weekend he went down hill very suddenly. The vet said his kidneys had shut down and he was dying. We said our goodbyes and spent the afternoon cuddling him as he slipped further away. Then Mum took him back to the vet and had him put to sleep. It was very peaceful and she was able to hold him all through the process. He’s now buried under a pomegranate tree in her garden. Another part of my life is closed and finished.

He was a lovely little cat with a distinctive white moustache, loads of personality, and a penchant for sleeping in unusual places, like this bowl of pot purri.

He was born to a lovely starving stray cat we took in. We gave the rest of the kittens away, but kept him and his Mum with their lovely grey and white coats. He was about 10 years old.

He was very affectionate, even demanding. Insisted on his morning cuddle before breakfast.

Had a tendency to look like a grouchy owl with really hairy ears!

Here he is with me and Charlie back in December.

He loved to sleep tucked away in shelves.

Here he was with Charlie this afternoon:

Goodbye little cat, sorry it had to be this way. RIP.

Hearing Voices Resources!

On Friday a huge package arrived for me. It contained a whole set of books and DVD’s about Hearing Voices! Some time ago I joined the facebook page Intervoice, and through there found out about a fund set up to provide resources free to individuals or groups about Voice Hearing. I sent in an application and am thrilled with the wonderful package! Oh, if we could only do something like this for people through the DI

I will read and watch the collection so I know what to recommend to people, and I plan to hold an information session about voice hearing sometime soon using some of the DVD’s. I was so excited by the Voices Vic Conference I attended earlier this year, and so wished I could have brought our whole group along to experience it. These DVD’s will go a way to helping them feel connected to the whole world-wide movement that we are a small part of! These will all be added to my personal library which I make available to anyone to borrow for a small refundable deposit. I am ecstatic to finally have some voice-specific resources for Sound Minds, the VH group I co-facilitate! I am also planning to set up a Sound Minds welcome pack similar to the dissociation welcome pack I created for Bridges.

I have just added all of the titles to my personal library page, please feel welcome to contact me about borrowing any of them. I started collecting dissociation related books about 6 or so years ago, the library is very small and a lot of the books are second hand. Lately I’ve been buying more new when my budget permits and have been able to get some more up to date books which has been great. A couple have even been donated, which is fantastic, and sometimes people tell me to keep their deposit, which I always put into the library fund for more books. Down the track I’m starting to think about fundraising ideas to generate a bit more money to build the collection up. My wishlist is pretty long! 🙂

I so needed information when I was struggling with diagnosis, and each of these books were hard to find, expensive, and some were quite traumatic to read or really unhelpful. I really needed not just a library like this, but a librarian to point me in the right direction! For some people, this resource has been really useful and I’m so pleased about that. Can’t get over the excitement of having it grow by another 7 in one hit! A huge thankyou to the kind people at the Hearing Voices Network Cymru, I hope they will be pleased with how we use their resources.

The Medieval Fair

So, more mail for the DI has arrived, it seems the tax dept was just softening me up before sending in about 10 lbs of paperwork. Not quite as excited this time around… But nevertheless!
My weekend away at the Medieval Fair was wonderful. I took my sister’s van up to the hills and camped out for the whole weekend. There’s a pretty awesome set up in the van, that’s my bed with a foam mattress, and some boxes that fit right under the bed. Very nice to sleep in listening to the rain, and a darn site quicker to set up than a tent. 

I love an efficient and structured set up for camps, makes life so much easier, especially when you’re trying to do things in the dark. Love this van!

The Fair was just huge this year. Apparently they had 6,000 people through on the Saturday alone! The displays were set up in areas, this was the village, where traditional skills and crafts were on display:

Displaying wood carving techniques:

Hand spun yarn, dyed with natural dyes such as mulberry leaves:

The knife maker showing his skills:

Those in the village often sleep overnight in their camp sites, so they are fully functional:

Even down to the cooking of meals. Love those big pots and pans 🙂

This was one of the big drawcards, a huge working trebuchet! Watching it sling watermelon over the nearby field was quite impressive.

If we were actually attacking a neighbouring village, these are the kinds of things we would be hurling instead. Very heavy!

I was able to have a fire every night to sit by and contemplate my life. And cook baked potatoes on. 

Back at the fair, I always try to bring home some tasty treats from my favourite vendors. Honey for my collection from the lovely people at Buzz Honey, Muntree chutney, chainmail… This lovely delicacy was Cinnamon tea from the Middle Eastern stall:

I also buy something every year for my birthday from one of my favourite dress sellers. These lovely ladies spend the year making amazing velvet gowns, shirts, and coats. This year I came home with a short sleeved red dress. My dishwashing machine fund took a bit of a pounding!

Yummy roast sweetcorn with garlic butter mmmmm…

Gorgeous bellydancers entertaining a big crowd!

It was great to take the whole weekend off and spend it all outdoors and offline. I also find my sleeping hours tend to re set a bit when I spend time camping, which is a fantastic bonus. While sitting looking at my lovely fire, it occurred to me that someone as dissociative as I am isn’t well suited to living in a brick home. I often have to work hard to experience my life, to be able to smell and taste. When I pass a lovely display of cakes and think I might buy one, I check in with myself first to see if my dissociation level is low enough to make it worthwhile. Eating cake you can’t taste is miserable. This is a normal part of my life. I love the outdoors and the weather, rain especially I delight in. I love noticing wind, stars, sunset. I hate living an indoor life that disconnects me from all these grounding experiences. In some ways, I actually did better living in a caravan that was sensitive to every breeze, and like a drum under the rain. I’m going to look for more ways to create this in my life.

I am also feeling inspired to take up more physical activity again. I haven’t decided between dancing and fighting yet, but both really appeal to me. I loved watching the bellydancers, I used to really enjoy lessons when I was taking them. I have also tried and really enjoyed martial arts. At the Fair, I had a chance to practice some sword fighting which was truly awesome. I love something challenging and graceful, it’s good to really occupy and own a body that is so often in pain (I have a chronic pain condition) that I disconnect and numb to get through my day. Settling into it to dance or fight is a really powerful experience for me.

Behind the Logo

I developed the Dissociative Initiative Logo when several of us were working on starting up the support group Bridges. I created a fern image in consultation with the Voice Hearing group Sound Minds for their flyers, and I wanted to make something for the Bridges flyers.

I trialled several different designs. I wanted something striking but simple, that would work big on a flyer or really small on a business card. Dissociation is difficult to communicate visually, so I was looking at visual representations of multiplicity because these can be someone’s personal experience of parts, but are also a lovely metaphor for the coming together of diverse people in the Dissociative Initiative. Many people like the image of a jigsaw puzzle for multiplicity, which I understand, but as it is also used to represent autism I thought I would keep looking. I love rainbows as a representation of diversity and acceptance, of not having to change who you are to be accepted, but rather the differences between us creating a beautiful harmony when we pull together, but as rainbows are used to represent GLBTIQ communities I wanted to do something a little different there too. It was very important for me that the image also be gender-neutral and race-neutral.

I trialled patchwork designs, and various natural images of parts that also form a whole – such as the petals of a flower, or leaves on a tree, but none of them were quite right.

In the end I created this logo, called “The Undivided Heart”. It is modelled on a stained glass window design and uses rainbow colours to represent different parts of a community, who all come together with one heart, a shared purpose – in this case to raise awareness and support people who experience dissociation. As different as we may be in so many ways, we are united by a passion for mental health and a belief that people deserve resources and community.

Peer Work course

The Peer Work Cert IV I’m studying at the moment has been a very mixed bag. We’ve had a number of different teachers/facilitators come through the course, and their skill and passion for adult education has varied significantly. Many of us students have already been working as Peer Workers, or in the Community sector for many years, so the bent of the teaching is pitched far too low for us. We spend a lot of time being told things we already know. This shouldn’t be a big deal as most of us are also really friendly and patient people. Without exception all of the speakers that have been invited in have been great to listen to. When it’s worked really well there’s been some great conversations between the students, and we’ve all been treated as resources for each other and encouraged to learn from each other. I’ve loved spending time with other people who are really passionate about mental health and peer work, and there are some amazing experiences and skills in our class. When it’s worked badly we’ve been taught inaccurate information, patronised, and treated as though our experiences and skills are a threat to the class instead of an asset.

Pilot programs always have teething troubles so I hope that the quality of the course delivery will improve if it is offered again. There’s been some tough days for me where some areas I’m feeling pretty raw in have not been handled well and I’ve found it quite distressing.

This Thursday was just back to the tedium of repetition and inane craft activities. We spent several hours having the concept of Peer Work once again explained to us in depth, what it is and how it can be useful for people. This makes for a very long day! The afternoon was spent with the facilitator reading a powerpoint to us that explained how to make presentations interesting and engaging – oh the irony!

We were required to do a craft activity which was recommended as a tool to use when engaging participants who were so unwell that conversation was difficult. We had to draw a cat on a piece of paper, the cat was called the Fantasticat. Then, we had to write things we had gained from our lived experience on other bits of paper and glue them onto the cat’s tummy. The things we have learned are, you see, things we are Fantastic-at. The class is not exactly enthusiastic about these activities (we have done a lot of craft in this course, and most of it is depressingly similar to the craft we did the week before), which unfortunately instead of resulting in the activity being modified to make it more interesting or suitable, got us a lecture about being open minded and aware that many people we would be working with were going to be extremely ill and need this kind of directed activity. If anyone ever catches me bullying a participant into this kind of thing, put me out to pasture immediately.

Anyway, here is my lovely cat:

It turns out I make good art under duress. 😉 I’m rather proud of him.

Sculpting a skull

Today was a very, very long day! Early start at the Media Resource Centre, today we were starting the process of editing our film. We have about 80 film sequences shot, now comes the task of putting them all into the correct order, choosing which shots are the best where we’ve filmed the same thing a couple of times or from a few different angles. Then we have to shorten each clip so we are only showing the best seconds or exactly the gesture we wanted to capture. It is stunningly time consuming but wonderful fun! We’ve taken a lot of macro shots and they are just beautiful. I cannot wait to see it on the big screen when we do the final reveal!

Tonight was a sculpture night class again, this time we were invited to sculpt a skull from clay. I’m very pleased with my efforts:

 Yes, that is a real human skull we had to model from. Apparently this one was from India. It had a very narrow face and fine features.

You can see here the my skull shape is all wrong, what’s happened is that the clay we were using was incredibly soft and as we were working with it it was slumping down. So everyone’s skull has ended up with almost no forehead and eye sockets looking up at the roof!

 Here’s some of the other student’s skulls – all looking up!

 I’m very pleased, despite the flaws I feel it’s a pretty good effort. I really enjoy working with clay and getting my hands dirty, and my heart just thrills to the social atmosphere and the challenge of a teacher saying “make this” when I’ve never tried it before and there’s nothing hanging on the result, just the fun of pushing myself to try something new. I just love it.

Finally got down to the ceramics studio to collect my work and results, I was given a distinction for the last term’s work, so that’s cool. I won’t be pursuing it as a major, I’m interested in it but not totally absorbed by it the way I am with some of the other art mediums I’ve been working in. There’s always later if I decide to take it up more seriously. At the moment I’m taken by ink, fabric paints, beads, sculpture, film making, photography, installation, jewellery… sigh! Sometimes I get really anxious that my interests are so broad and unfocused. But the joy I get from learning new skills and pushing myself to try new things over rides the considerations of career. Young artists (not that I can really call myself that anymore!) are often advised to find their medium and style early, and to strive to create a brand where their art is distinctive and instantly recognisable. I don’t know if that makes good career advice, but it doesn’t make my heart sing. I already do many difficult, tiring, and frustrating things every week. Art is a space to be free. If I can’t build a career out of it because I’m too busy using it to keep my mental health as intact as possible, then so be it I guess.

Filmmaking

The bootcamp is going great! I’m now halfway through my week of horribly early mornings and not enough sleep and the end is thankfully in sight. Tuesday was spent filming, it took us from 10-5 of a hectic pace to get all the footage needed for our 4min film. I think we have some great shots, the team worked fantastically with everyone working really hard and playing duel roles and double checking all kinds of things like “What’s that in the background of that shot? That shouldn’t be there, I’ll go move it” or “Wait this shot is past number 53, she has to be wearing a hat in it”. Today is going to be a whole day of editing and putting it all together, then this evening is my second sculpture class which I’m sure will be amazing. I’ll either be falling asleep or hyped and wired by then. I’m very excited about the film, I wish it wasn’t rushed so much, it would have been even better to have three days to shoot it in, we had to keep rearranging shots because of the weather which made life interesting, and re taking shots from different angles as we were only shooting with one camera. We were able to borrow a macro lens, so I think we have some amazing close up pics where hopefully we’re not wobbling the camera too much! The film has to be ready for screening on Friday, so a lot more work is going into the editing and soundtrack today and on Friday. Just wish I’d had two more hours sleep!

First mail to the Dissociative Initiative

I was very excited to come today to find the first ever bit of mail addressed to the Dissociative Initiative! We now have an ABN, and are one step closer to incorporating. I’m very excited! I took a photo of it before I opened it. 🙂

I was planning to write you a lovely long post about the Medieval Fair with lots of pictures. I did have a really great time, and I promise to tell you all about it soon. I am in a nightmare cycle again at the moment so although I am getting sleep, it’s not very restful and I feel extremely tired and have a headache most days. I also have a very busy week with three full days dedicated to the film bootcamp on top of my other studies and volunteering. I have actually been waking up screaming the last couple of nights which is pretty unusual for me. So, the distress level is pretty high and I’m feeling pretty ragged at the moment. Short posts for now but I promise not to go away entirely. Certainly very lovely to come home to nice things in the mail box – and there was a new book for the library from the Book Depository on my door step too. So I can’t complain too much.

How are the critters?

Adorable as always. Sarsaparilla is going great, very healthy and sweet, although still painfully shy around strangers. He’s taken to snuggling up to Charlie in the cold weather and keeping him company which is lovely.

Charlie is hanging in there. His ears and eyes are free of infections and his skin is clear. His pain level is down, which is wonderful, but he’s becoming quite senile and I’m afraid things are near the end for him. His inability to navigate is causing him a lot of problems, he’s never had a very good ability to ‘map’ and work out where he is (Charlie is blind). He’s been having trouble getting lost in the small garden shed outside where he sleeps, and I’ve been sleeping him indoors during the wet weather, which isn’t ideal. The incontinence means he needs access outdoors at all times, and I’m not all that happy about sleeping with the back door wide open.

So, recently when the weather started getting wetter I bought him a lovely raised dog bed.

It’s nice and big and quite sturdy. This way he wont be able to drag it into puddles the way he has a bad habit of doing with his mattress and blankets.

I’ve also used my trundle bed base to block off most of the shed so he can only walk in the door to his bed and food bowl. This means a lot less space for him to get lost in, it’s been a lot easier for him to find his way from the bed to the door, but he’s still tucked safely out of the weather.

I had to empty and mop out the shed first because he’d started toileting in there when he couldn’t find the door, but with the new smaller area he’s stopped doing that.

Here he is, lovely and dry and warm and out of any puddles. Sarsaparilla comes and sleeps in it too often, which I always consider a good sign for the warmth and comfort of any bed!

Charlie’s difficulties with navigating are steadily getting worse. He has a lot of trouble walking in straight lines as the senility progresses. He really struggles with circling when he thinks he is walking in a straight line. He can no longer find his own way into or out of a room, and struggles now even to find the shed in the backyard as he hopelessly spirals around in circles on the same spot. I’m going to talk to the vet again and of course keep him comfortable and clean and dry and well fed, but I don’t think he’s going to be with me for very much longer. I’m really glad that I’ve been able to clear up all the infections and pain for him and give him a good time with lots of company and walks and good food. He’s been such a  friendly and faithful little companion and he deserves a really good retirement.

Medieval Fair

Hello all, I am off for the weekend, to the Medieval (See What’s On page for details) and may or may not have net access during that time. I will take lots of pictures! Going to have a wonderful weekend away from it all 🙂 Have a good weekend yourselves, all of you. 🙂

Film making bootcamp

I am up to my eyeballs once again in projects, this fortnight a big new one is a film making bootcamp by the Media Resource Centre and the Mental Health Coalition/Mindshare. I am stoked to be involved, we are learning how to make a short film from start to finish – scripting, filming, all the way through to post production editing. I am in a small group with three other people learning and one experienced filmmaker facilitating. We were assigned the topic of “Community” from the perspective of mental health, and have to make a short film, about 4 minutes in length.

On Tuesday we met up to work on our script, listen to some free music we can use as a soundtrack, and learn a bit about the camera we will be shooting with. Our story has a lot of close up shots in it, so we will be shooting with a digital SLR with an amazing macro lens. I am very excited about it!! The only downside – and unfortunately for me it is a big one, is that the five days overlaps with group time, so I’ll have to miss out here and there, and also that they start early in the morning, in the city with no easy parking available. So I’ve been turning up pretty shattered and not having very much to offer until after midday when my brain starts to wake up. Next week for me is simply horrendous with every day packed full and I am dreading it already even though a lot of things are fun things I’m looking forward to. I wish I could get to sleep at a reasonable hour! I’ve been working on it a lot and I’ve been able to bring it back from about 5.30am to about 3.30am, but that still makes a 7am start pretty rough going. I’m also trying really hard to keep three meals a day happening, but that’s not always the case either. The week after this bootcamp finishes I’m going to spend a lot of time sleeping!

See the film we made here.

Sculpture class has started!

Ha ha ha haa, I love this class! The tutor is awesome, clearly loves his job. Today we were given lumps of clay and told to sculpt our own hands. Clay is great stuff. A room full of arty people is like getting a bit drunk with no headache afterwards. I’ve come home feeling so refreshed and buzzing with inspiration! I have no idea some days why I’m working in mental health, art is just awesome. Here’s my clay hand:

 And here’s my actual hand as a reference:

 I’m pretty pleased with it!

 Here it is (bottom right) on the drying shelf with other student’s hands:

There were a lot of creepy disembodied hands in the studio today, very Burton-esque 🙂

Next week we’re going to start on a bust (that is, a sculpture of a head and shoulders) from clay! I am very excited. We will be having life models in to practice figure working. I hope they heat the room up a bit, it’s pretty cold to be getting your kit off at the moment!

Aaaaannnd in other news, I have been painting up a lovely pair of boots all for my very own self. I will post pics when I’m done – for now here’s a teaser of the colours I’m using! They are looking amazing. 🙂

I hate myself

Self loathing is vicious, seductive, persistent, and something I fight. When I’m struggling, “I hate myself” is what I hear in my head. This voice may speak once or twice. It may loop over and over again for days. The intensity of the rage and loathing I feel for myself is difficult to communicate or comprehend. It permeates me and threatens to tear me apart.

About four years ago I made the call that the single biggest internal factor that was holding me back and crippling my life was self-loathing. So I set out to understand it better, to fight it, and to starve it. These days it’s not with me all the time. I have whole weeks where I can just live and enjoy my life and it doesn’t bite at all. But I still have the bad days here and there where it wells up strong and I have to work really hard just to stay still. These are days I fight self harming compulsions. They are days I can’t look in the mirror, can’t eat, can’t bear to be touched. Human contact is intolerable, indifference leaves me drowning, criticism cuts into me, and praise only makes it more intense. I have learned when to fight it and when to endure it.

Self loathing is difficult to wrap your brain around if you don’t experience it to this extent. It runs so counter to our self-protective instincts and the usual human preference to think of ourselves as decent people. I can’t speak for anyone else, but I have been able to untangle some of the things that drive self loathing in me. One of them, and it’s a big one, is siding with someone else’s perspective about you. If you’ve been degraded by someone who treated you as pathetic, inhuman, revolting, contemptible, useless, or unlovable, then in the dark times when your reserves are low, you may wonder if they were right. I was bullied a lot at school, so in my case self-loathing was just taking the side of the majority opinion that I’m a freak and deserve everything that happened to me. We don’t like to back the losing horse, and when abusive people are in the majority or more powerful than us, it’s not uncommon to lose our own perspective and take on theirs instead.

Another thing that feeds self-loathing is the deep desire to not be vulnerable to harm again. In the aftermath of trauma or abuse, we may assess ourselves as inadequate and use self-loathing as a tool for self-improvement, thinking that we will make ourselves stronger, more resilient, and more impervious to harm in the future. It’s a seductive idea, but the reality is that we carry on the work of abusers long after they have gone, and cut ourselves away from the very things we need to be able to grow strong – compassion, truth, love. We become brittle and damaged by a campaign of relentless self modification that leaves us disconnected from our sense of self or self-worth.

This inclination towards self modification can also come from a sense of worthlessness. Self-loathing can be the rage that results when we perceive ourselves as fundamentally inadequate in some way. We often judge ourselves harshly when the outcomes of our efforts have been poor. Despite everything we tried, we could not stop them, or we could not keep them, or we could not make them love us, or make it better, or make the dreams come true. Facing our powerlessness is so devastating we turn on ourselves instead, with all the viciousness of someone with a deeply broken heart. And we resolve that next time, we will make ourselves into someone who would be loved, who would get the happy ending and would deserve it.

Self loathing can be used a powerful motivational tool. We gear towards punishment and talk harshly to ourselves to drive us through all the things we don’t want to do, to overcome the depressive reluctance to engage with our lives. We make ourselves keep getting up in the morning, keep working, studying, breathing, fighting for a better life. We do what works, and self loathing does work, for a while. When the alternative is curling up to sleep in a house on fire, we generate change and cling to life with whatever we have. But at some point we have to stop using such a savage implement on ourselves because it will warp and destroy us.

Self loathing often has a very close relationship to shame. Many of us carry secrets about which we are deeply ashamed, an internal list of how hideous and unlovable we are. These may be things we regret, our failings as parents, partners, children, or friends, things done to us about which we take on shame, and about which our culture shames us. We hold these things very tightly to us, and in the dark they fester, they grow in magnitude. We may be unable to forgive ourselves for our own powerlessness, for times we’ve been selfish, cruel, indifferent, lazy. We may be trapped by a need to hold an abuser to account, and find that our thinking twists so that we cannot accept our own fallibility without somehow saying their actions were not that important. We may fear exposure of things that other people would shame us about, sexuality, abuse, gender issues, mental illness… We cannot be reconciled to who we are in some way, and so we suffer, and we hate ourselves for our suffering.

Sometimes we hate ourselves because we’re the safest person to hand. We don’t feel safe to be angry with people or about situations in our life so we direct it all inwards. The rage victims feel towards abusers can be frighteningly intense, and many people conclude that the safest, moral choice is to take that rage out on themselves instead of risking acting out revenge fantasies on another person. The cycle of trauma continues and the person is left weakened and desolate by these attacks on themselves, as well as furiously angry about the self loathing on top of the original harm. People will also turn rage inwards when they don’t feel they’re allowed to be angry, for example a woman who gives birth to a child with severe illness may come to the conclusion that she has ‘failed’ to bear a healthy child. In a position where she feels that she cannot express her anger and disappointment without being seen as a bad mother, she may soothe those feelings by savaging herself instead, in ways that seem deeply irrational to those around her.

Self loathing, oddly enough, can feel safe. Where the alternatives, like being angry at someone powerful and well protected, or deciding to accept our own weaknesses, can feel terrifyingly risky. They may even be incredibly risky. Retreating into a dark hole to gnaw on our own flesh and bones seems to us like a victimless crime, the lesser of many possible evils. As a child, one of the things I feared most was not being destroyed by the bullies, but becoming one of them. I craved the power to protect myself but deeply feared that this meant I would hurt someone else instead. When forced to confront this ambivalence, my reaction was suicidal. Self loathing gave me a way to try and improve my life while feeling safer that I was not blithely exchanging roles. Criticism – legitimate or otherwise, feeds it, and praise also leaves me afraid that I have tricked people into thinking I’m an okay person when deep down I’m convinced I’m not. There’s something alarmingly soothing about retreating from the world back to my dark cave of self loathing.

The cost is very, very high. Intense self loathing leaves me with a profound sense of not being safe anywhere, ever, because one of the people I’m most afraid of is myself. Without safety, recovery is nearly impossible. I become the monster that hides under the bed and stalks me from room to room. There is no escape. I undermine my own efforts, sabotage safety, blossoming friendships, destroy good things in my life I’m convinced I don’t deserve or will ‘weaken’ me. It quickly becomes a spiral, as I act out my feelings I have ever more fuel for my rage at myself and ever more evidence of my own intolerable flaws. The difficulty is that refusing to act upon such strong feelings leaves me with an incredible tension – where the difference between how I’m feeling and the outward appearance of my life is so vast it is actually painful. There’s such an intense need to show some of my feelings, and to discharge some of the intensity. I use journals, inks, symbols that I have imbued with personal meaning to stop me resorting to more drastic measures. I fight the impulse to unmake them all, the despise all my protections, to wake the next day and feel humiliated. I nail my colours to the mast and when needing an answer to the question “What does it mean?” in the aftermath of torment, insist on only one answer “That I am human” and turn all the rest aside.

So I starve my self loathing. It can’t grow strong if I don’t feed it on twisted thinking and fears. If I am loving to myself and let others be kind to me, I grow stronger and my thinking grows clearer. I insist on treating myself the way I treat others, and being kind to my vulnerabilities instead of harsh. I am cultivating healthy entitlement, and taking the risk that through care and kindness I will grow, rather than through drivenness and self hate. Initially these choices were very difficult, and felt terribly risky. They get easier. I am committed to good principles of hope, healing, joy, respect, fairness, even if I can’t live them every day.

When the bad days happen I argue with the voice in my head and I say to it “I don’t hate myself, I’m just stressed.” I cancel classes and stay home. I stay away from the mirror. I let myself go without food for a day if I have to. I try not to claw at my skin. I put the knives out of sight. I write. I paint. I try to hang onto memories of being loved. I let the images of mutilation and destruction flow through my brain and turn my face from their allure. I find somewhere to cry I hope the neighbours wont hear. I let the pain and the rage be there and I hold my fingers tight and refuse to act on it. I follow the pain down and face the horror that has incapacitated me. Slowly, the desire to tear all the skin off my body will ease. Slowly, the images of breaking all my own fingers will settle like leaves on water. The urgent need to act will pass and the sense of rawness will curl back under my skin. The fire in my brain will go back to coals, the stars come out, the planet turns, that which consumed me passes on, and I’m free of the demon again. Just a little more breathing room, just a little stronger.

More info about self loathing here.

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Face painting friends

I’ve become a menace lately, painting up any friends daft enough to sit still in my vicinity. I love the kind of requests you get, here I was asked for half the face to be a skeleton, and the other half a monster. It works!

Even better with painted hands too:

And something with more sparkles; my own design, a painted slave bracelet with jewels:

Having fun. 🙂

Making facepaint split cakes

I still adore my new face paints and every time I work with them it’s getting easier to get the water to paint ratio correct first time. There’s a completely different face painting style I’m learning at the moment where you use a double loaded brush to paint designs with simple, single strokes. Double loaded simply means you are putting more than one paint colour on the brush at the same time, so a single stroke of the paintbrush would lay down red and white paint side by side. I love this technique, it is often used in folk art flowers and can be used to quickly create quite sophisticated designs when face painting. To use this technique with cake style face paints the easiest way is to use split cakes. Split cakes are a cake of paint made up of two or more colours. You can buy simple double split cakes already made up, or more complex small split cakes with many colours layered together to quickly paint very colourful designs like this. A face painter is always balancing between quality, detailed designs, and the need to be as quick as possible. I will be buying a couple of the more complex one stroke cakes, but I’m making my own split cakes because that is very simple and more economical. Here’s a quick tutorial in case you’d like to make your own as well. 🙂

This is a ready made rainbow split cake I’ve purchased, in lovely pearl/metallic colours. I will be making much simpler split cakes with only two colours. The reason for this is that I have to buy less colours to be able to make them, and leaving me with large areas of colour means I can use just one colour on my sponge or brush if I need, or load both colours together. This is also a much more compact way of packing twice as many colours to take with you, using only half the space.

Start with two standard cakes. Here, I’m using TAG Pearl Yellow and Orange. Test both to make sure they are soft. If your cakes are very old and crumbly, you will need to wet and warm then a little to soften them.

Using a clear ruler, determine the halfway mark of the cake:

 Using a clean knife, cut the split cake in half. Don’t press too hard, you don’t want to cut into the plastic container.

 Gently dig out half of the cake. I used a small plastic palette knife for this. Each cake will be a slightly different texture, the colours change the composition slightly. Some are slightly rubbery and come out in one piece. Other’s are more crumbly. Don’t worry if you need to dig out some crumbs, they just press back into the cake.

 Do the same with your second colour. Clean all your tools between colours.

 Now take half a cake that’s been removed, and neaten it up to press into half the cake tray that hasn’t been dug out. Wherever possible, add the lighter of the colours to the darker colour.

 My yellow was quite crumbly and broke apart. Don’t worry about this, it presses back together fine!

 Viola!

Your first split cake! This colour combination is useful for designs such as tigers, lions, cheetahs, daffodils, dragons, and fire. 

 Repeat with your other colours:

 And practice double loading your brushes:

Orange and yellow butterflies painted with a double loaded brush.

Stress Vulnerability Coping Model

The Peer Work Cert IV has resumed after a break for the holidays, and sadly I am not enjoying it at all. I am so upset about some things that happened that I’m mulling over whether to make a complaint. I shan’t go into them here as I suspect that would be seen as a breach of confidentiality. We ended the day by being asked to create an artwork or collage to represent the Stress Vulnerability Model of mental health. The gist of the model is that mental illness is the result when a collision of inherited vulnerabilities and environmental risks occur in someone’s life (similar to the diathesis-stress model). From the point of view of preventing a relapse in those conditions that are episodic, such as psychosis, the model suggests that risks that compromise mental health need managing, and protective factors that enhance it need to be maintained/introduced. This is what I created:

Risk vulnerability model
Some risk factors
A protective factor

It’s not perfect. The ‘passions’ protective factor illustration for example, could be seen as a gardening hobby, or could suggest that this person stalks the streets and digs up random trees. Ah well. 😉

Finding your sense of fun

In Bridges this week one of the topics discussed was how to let go and have fun again. Many of us find ourselves spending so much of our time being grown up, responsible, organising our lives, managing our illness, eating well, getting enough sleep, and generally being adult that fun becomes an alien concept.

Some of us (ahem, ahem) can get so stuck in adult mode that even when we make time for fun things, we ruin the fun aspect of them. I can go on a holiday with a to do list that reads “relax, eat healthy food, read 16 books, swim every day” and all through my day off be thinking things like “Am I relaxing?”, “Am I relaxing enough“, “Oooh that’s handy, this playing chasey is really good exercise”. Most of us are familiar with the idea of having an inner critic (see Reclaiming Creativity). This is a bit different. This impulse I call my inner social worker.

Inner social workers are a good thing. They’re the voice that says “go and eat something!”, “clean that bathroom”, “you haven’t walked your dog in a week”, they are sensible, practical, and very focused on self care and accomplishment. The problem is that these attitudes are complete anathemas to having fun. When you’re stuck in adult mode with your inner social worker along for the ride, the most outrageous fun somehow gets turned into work. I remember being at a talk once where the speaker said “Look, I know many of you find art helpful, but for god’s sake don’t tell them that! They’ll turn it into art therapy.” Now, I quite like art therapy, but I got where he was coming from. Something emotional and spontaneous being turned into something functional by the imposition of social worker goals and language. The minute someone uses words like “a recovery focused program of increased self -awareness through artistic expression in a goal-oriented 6-week structured course designed to enhance independence”, all the magic drains out of the art room. Or maybe that’s just me?

Anyway. Having fun, I mean really shucking the adult role for a while and being able to enjoy yourself for the sheer fun of it, involves banishing your inner social worker. Some people describe letting go of their adult or parent side for a bit, personally I prefer to box them for the duration, rather the way you banish a big dog to the backyard while you have a tea party with the fine china. Except in this case, it’s kind of the reverse! Fun is about reconnecting to your inner child. Kids know how to have fun instinctively. They live wholly in the present moment, are ecstatic about small joys like icecream, a trip to the park, or being able to stay up late, and never spoil it all by trying to turn it into something productive.

So, you’ve boxed your inner social worker and determined that the next several hours will in no way be productive, what then? Spontaneity is one of the big aspects of fun. It doesn’t have to be, kids have a ball when a trip to the pool has been planned for a week, but if you’re struggling I’d suggest getting as far away from adult as you can. Wake up on a wet day and decide to go to the beach, romp about on the grass with your dog at the park, invite a friend around and make chocolate fudge cake. Deliberately try things that feel childish, give finger painting a go, eat a cheesecake without forks, go build a sand castle, dance around your living room to loud music, cook popcorn and leave the lid off the pot. If you get really dried out and can’t think of anything creative and interesting to do, try keeping lists of ideas you might like to try the next time you have an afternoon free. Get ideas from books or sites suggesting activities to keep kids occupied during the holidays. Build a fort out of your sofa cushions, dye easter eggs, go join a costume society or build a model train set. Hanging out with kids can be an amazing way to find your sense of fun again.

Breaking the rules is part of why things can be fun, suspending the normal world for a moment and entering a place where anything might happen. For this to work you need some safe rules to break. We’re not talking rules like “don’t play on the road”, but rules like “we eat at the table”, “you can’t get wet in your clothes”, “bedtime by 11pm”, “dinner before dessert”, or “no flooding the bathroom”. If you don’t have some safe rules to break, make some, stick to them most of the month, then have a night off where you break all of them. Midnight feasts are fun because they’re against the rules, but not actually dangerous in any way. Suspending the normal structure or your life to go and ride motorbikes, learn surfing, or lie on your lawn eating mangoes under a sprinkler can be the release from the adult world that you need to feel rejuvenated.

Friends are another big part of having fun. A strong sense of fun involves a sense of humour and a strong vitality. A love of life, an attraction to the ridiculous, indifference about looking like an idiot, and an aversion to monotony. Some people have these characteristics in spades, and if they were marooned on an island, would still set up a practical joke shop and make a brisk trade selling brilliant ideas to themselves. The rest of us often find that we need other people to bounce off, that our sense of fun is at times very strong, and at others, totally battered by all kinds of things going on in our lives. There are times when we are the spark that lights the fire for our weary friends and starts an evening of rolling around on the floor laughing through a game of pictionary. There are times it’s our friends that invite us to go on a zombie walk through the city covered in green facepaint and fake blood. This mutuality prevents one person doing all the inspiring and the other/s enjoying being inspired but never working out how to start that fire themselves. You don’t want to find yourself in a situation where you are the only one with a fire and everyone else is happy to warm their hands at it, but in your dark nights they have nothing to offer or are just irritated with you that you aren’t still providing the lovely fire for them. Friends who get it and bring their own love for life to the party are a joy, and you often develop an ‘in-crowd’ language about these kinds of times spent together, where one of you can ring the other up and say “lavender socks” and have them burst into laughter and clear their evenings plans.

Fun is magically restorative, it eases all those knotted muscles, relaxes our facades of respectability, lets us open up to life and feel and breathe and live. It’s not all there is, pleasure, quieter joys, melancholy, curiosity, contentment, so many things are important to a full, rich life. Fun gives us our childhood back, grass stains on the knees, chocolate frosting on one ear and sprinkles on the other. Somewhere along the line a lot of us lose our sense of fun and adult fun becomes about breaking taboos of sex or drugs, or getting drunk enough to lower inhibitions. It doesn’t have to be this way, your brain can create that heightened, giggly, tipsy state all by itself without spending lots of money or getting plastered. Some of us have just forgotten how for a while. But it’s like riding a bike, we never truly forget.

Poem – November

From my journal 2007

The lights below and the sky above
I drive into the evening, into the darkness falling
like soundless rain; like shadows coming down
from a starless sky
and, driving, I am moved to sadness.
It has been a long time since the rain.


Insects worship at the streetlights
like tiny hopeless angels
their wings are made of dust and dust falls from them
as they break themselves to pieces against the lights.


All is lost here.
I am lost, on this familiar road
travelling the old way home, on well-worn paths
but still, I am lost.


I drive on, in the wash of blind traffic
unseeing, unhearing, we each of us drawn through the night
unresisting, on tides and rivers we cannot name.
I drive on, and I think of the rain.