Another Exhibition!

I have just entered a single work in another exhibition, which opens for a big launch on Monday! I will be there provided I am still upright at that point (slightly uncertain), it’s free and open to all so feel welcome to attend. 🙂


The Box Factory Community Centre (Adelaide City Council)

Date: Monday 8 October
Time: 6-8.30pm
Event:  The Knack
A mixed arts event Featuring the second of our Big Circle art exhibition openings which will feature awards in 5 categories.  The opening by Jeanette Milford, Glenside’s Music Therapist and the creator of Bach to Blues, with Eugene Suleau as the MC will be followed by singer Michelle Threadgold and performers from Cracking Up group including Adam Gould, Suzie Siebert, Helen Keene, Abner Bradley and Kathryn Hall in a variety of skits and stand up routines.
Location: The Box Factory Community Centre, 59 Regent Street South, Adelaide SA 5000
Contact:  P: 8203 7749 E:  bfcc@adelaidecitycouncil.com
Free event.


More info here
Facebook invite here

Space Shoes!

I know, I know, I owe you a blog post. What can I say? I’m slack, I’m busy, I’m on holidays… 🙂 however, check out my latest art shoes! I was asked for our solar system: the sun and 8 planets. They’re gorgeous 🙂 I tried to get relative sizes correct, but the gas and ice giants are so big the other planets would just be specks! I settled for looking up the NASA Hubble telescope shots of the planets, to get the colours as accurate as possible. Pretty damn pleased.

space shoes

A Day Off

Took the whole day off yesterday! Slept for 11 hours which was badly needed, then spent half the day in bed, reading, journaling, and having brilliant art ideas…
I’m so inspired seeing my work up, my brain has been firing with exhibition ideas, launch possibilities (most art launches are painfully dull and involve lots of speeches… I’m thinking of fire breathing performances instead… ) and ideas for new works… I can actually really conceive of a professional arts practice for myself, up until now it has been so much a matter of faith/wistful hope…

I do so much wrong really to be a professional artist. You’re told to stick to one medium, develop a recognisable style, and once you have something marketable, to mine the work for all it’s worth. I’m hopeless at all of this! I don’t like the idea of artificial exclusivity through limited edition prints, I like the idea of anyone who likes or finds an artwork helpful being able to get their hands on a print. I like art that’s accessible rather than alienating, and deeply personal. I hate replicating a work, I’m always looking to make something new… But maybe there’s a niche for me after all. I can see the possibilities and I’ve been luxuriating in that. I’ve so much to create, so much I want to say, and finally my life is stable enough that I think it’s going to happen. Magic. Resting and dreaming and finding confidence in the identity of an artist.

The Exhibition Is Up!

I spent a frantic morning before Bridges yesterday putting up all the artwork for this exhibition. The previous evening I had titled and written a brief description of each work, I dashed off to the library first thing to print these. When I arrived at Fullarton Centre, I found a corridor with newly installed overhead rails from which to hang the art. These are simply awesome, I would love to install them all through my house. The downside was being given a milk crate of tangled line and hooks to hang the art with. 🙂 I was madly rushing up and down this corridor, wrestling with lengths of clear nylon line and trying not to fall over my own feet. I arranged all the work, strung it up, cut out the titles, blue tacked everything discretely, and jumped up and down with excitement before running off to group. It really did look good, something special. I can finally really envisage my first solo exhibition somewhere with loads of new work and a big wonderful launch… I’m not quite there yet but at last it feels within my grasp! I’m tremendously proud of the work, to have created so much under such difficult circumstances, and kept it safe, it’s such a joy to me. There’s so much more still to come, my brain bursts at the seams with new images and ideas!

The descriptions is very new for me, it opens each work up so much more to reveal my personal imagery and symbolism. It was alarming to write because of this exposure! But I also think it is very powerful. So much modern art locks the viewer out, it is incomprehensible and alienating. I want to do the opposite, to invite people in, to be open and share the keys to understanding my work, to communicate through art.

But wow, is it revealing!

Earlier this week a reporter and photographer from the Messenger came by to put a story in the paper about Mindshare and the whole Big Circle Arts Exhibition Trail. I did an interview for the Messenger last year, which was fantastic. At the time I only disclosed that I had ‘a dissociative disorder’. This time I talked about DID, multiplicity, parts, the whole shebang. First time I’ve done that with the media. I felt pretty ill for the rest of the day. But, I’m also proud of myself. One more message that this stuff is real and ‘normal’, not freakish or scary. Nibbling away at the myths and stigma. I’m hoping the art exhibition will do that too. The stress and anxiety and exposure are pretty high, but so is the delight and pride and excitement. I hope I’ve made the right calls.

Exhibition!

I’ve been working hard for the She Dreams exhibition over October, it is going to be amazing! I’ve cleaned all the glass and frames and made repairs and written a small blurb about each work… I’m anxious because putting all these works together reveals rather a lot about me, and the little descriptions reveal even more… It’s a very personal and vulnerable collection. I love it deeply, the range from dark to light. It’s amazing to see a whole collection of works from the past several years like this. I’m also nervously waiting to see what article about me appears in the Messenger. Feeling very worn out and exposed, but also excited at the moment!

And not getting much time for blogging, sorry about that 🙂

Breakthrough on displaying inks!

Hurrah!! I am very excited about something that almost no one else in the world will be interested about, but tough, this is my blog and if I don’t tell all of you I will drive my friends mad by explaining it in very great, painful details to them. Probably several times. 🙂

One of my many goals this year has been to find an inexpensive, professional way of presenting and protecting my ink paintings. I am working hard on moving my arts practice towards the professional, but I still need to work around my chronic shortage of funds. Framing each work is simply not an option. Framing a few for exhibition is more manageable but still crippling, and in the meantime new works are being stored in cardboard envelopes all over my studio.

I finally found the photography and print system where works are bagged in clear celo bags, with a strong car backing to stop them being bent. I’ve trialled some different types and sizes of bags and found one I like that’s sold in Australia here.

I turned down the idea of matting for presentation because I love that my works are all different sizes (which would require hand cutting each piece of matting exactly – which involved maths. Ahem!) and I love the ragged edge on the torn paper… enter photo corners! After seeing a lovely paper work mounted in a gallery using photo corners recently I was ecstatic! Yesterday I sat down to order some supplies and looked at several hundred types of photo corners… there’s a few essential things that I need. They must be archival, acid free, obviously. I’d like them to be very unobtrusive and neat, no daggy tears from batches being pulled apart or things of that nature. I’d like them to exactly colour match my cream paper OR the black backing card. And I need to be able to afford them. The more I looked at, the less happy I was. I stumbled across some templates and decided to try and make my own. It was fiddly and time consuming but SO WORTH IT! I can exactly colour match, they are almost invisible unless pointed out, they do no damage at all to the work but secure it firmly, and I can make the corners to the best size for the work instead of being stuck with a standard size that overwhelms tiny inks and is insufficient for large ones. Whee! Check this out:

Larger corners for a larger work.
Or teeny little ones for a tiny work:
One step closer! Very excited and pleased with myself. 🙂

My Art Exhibition!

I have an upcoming solo art exhibition called She Dreams!

1 – 31 October 2012
Monday – Friday 8.30am – 5pm

Fullarton Community Centre
411 Fullarton Road, Fullarton
free entry

Invitation on Facebook
It will have a collection (20 +) of my artworks; inks, oils, acrylic, together for the first time. Most of these works have been displayed in other exhibitions before, but many were not open to the public (through mental health conventions etc) so this will be your first chance to see a selection of my art from the past few years all together. I decided to use my profile information from the new online portfolio I’ve been working on to describe my work. It’s direct and to the point.

I’m very excited about it! I don’t have the wall space to display everything at home even if I wanted to, so I’m looking forward to seeing everything up at once…

This is part of the Big Circle Arts Collective, who are running exhibitions all over Adelaide throughout October as part of mental health week events. To find out about other exhibitions and details, check out their website, or give them a call on 8212 8873.

New ink painting – Bright wings

This was a commissioned work, I was given a poem and asked to paint something based upon it. The poem included phrases such as “bright traveller”, “strong colours”, “faint dull world”, “reaching for stars”, “soar”, and “wings”. I was really pleased with the result, the coloured wings are striking. 🙂

Elixir and Taboo

Today I presented the results of a term’s work in my concept development class at Tafe. The topic was Food and our works had to incorporate food in some way if possible. I wound up making two small sculptures from my research. The first was playing with ideas of elixirs, infusions and preservation. I was very taken by the idea of preserving things other than food – memories, relationships, knowledge… I researched honey which is a fascinating substance and used in both preserving and embalming processes. So for this first work I used honey to preserve the memory of my close relationship with my grandmother, represented by a strand of blue pearl beads.
Sarah K Reece - Elixir
The contents then become an elixir to be taken during difficult times. The label reads:
Memories of Grandma
Dose: one thimblefull
To be taken: when lonely, afraid, or feeling unworthy

The second sculpture was playing with ideas around the sacred and taboo, particularly around our cultural reaction to the only food we make ourselves: breast milk. I used eggshells to represent new life, and turned them into breasts with the addition of sculpted polymer clay nipples. Blowing the eggs empty was fiddly and time consuming, I spent a lot of the last weekend with egg in my fringe. 🙂 I played with realistic colouring but decided to reference the use of gold leaf in art to signify the divine or sacred instead. The result has an unexpected element of humour to it, which I love. There’s also something a bit cheeky about the work, a slightly flippant take on a serious topic, a wink to fake breasts a la Monty Python, a nod to my own sexuality. Something that makes me smile: breasts in a box.
Sarah K Reece - Taboo
Plus I’m pleased with those nipples! My presentation went well, and I’m very happy to be on holidays from Tafe now. 🙂

New online portfolio

I have been spending a lot of time lately working on WordPress to become more familiar with the site. I’m really pleased, I’ve absorbed a lot of information and now feel very comfortable navigating the dashboard and suchlike. There are advantages to a wordpress blog, but by hell, don’t let anyone tell you there’s no drawbacks! For starters, it’s a lot easier to make an attractive site on blogger. Every other feature on wordpress costs you money (none of bloggers do) and there are major limitations in how much you can customise the free site. Even changing the fonts will cost you! Having said that, the galleries are beautiful and clean, which is precisely why I’m building an online art portfolio on a wordpress site. I really need to sort out my art gallery, it’s cumbersome and difficult to update and generally drives me mad here. Uploading an image as a post does not update my gallery page, conversely, updating my gallery page here gives no notification so no one’s aware there’s new content unless I write a blog post about it. Frustrating double handling and what it all means is that I’m chronically behind in keeping my gallery up to date.

I’m particularly keen to develop my face painting business as I love it to bits, and I just can’t keep directing people here, there’s too much going on. I am slightly flirting with the notion of dismantling this site into it’s constituent parts – mental health, general news, art and so on, making them independent blogs with perhaps a master blog linking them all together and updating weekly on any activity in the others. I know many wonderful readers cannot keep up with the volume! On the other hand, I know many love the daily post and would be irritated to have to trek about and follow a collection of blogs instead of get all the input easily in the one place. Posting everything on facebook would help though. So I’ll think about it. There’s upsides and downsides. If I kept the layouts clean and simple it might actually make things easier to find.

So, an online portfolio. Well, after the initial flush of enthusiasm I have realised how much work this will take. I need to re-photograph or scan most of my work as the images I’ve been using are frankly terrible. The watermark needs to be small, tasteful, and consistent. All work needs to be titled, sized, priced, and have a useful description. Ye gods. That’s weeks of work alone. What am I in for? I was tempted partway to abandon the whole thing and just upload the lot to pinterest. But one of the things that really makes a portfolio special is a few words from the artist – what they like, why they made it that way, their inspiration. Sometimes artists love an aura of mystery about their work, if they write something it’s in incomprehensible and usually patronising, gibberish. I’ve been to enough art galleries to know that once you’ve read one of those unhelpful little plaques, you’ve read them all. I’ve a guts full of work that is ‘challenging the dominant paradigm’, ‘inverting’, ‘juxtaposing’, ‘discoursing’, ‘refuting stereotypes’, ‘critically examining traditions’ and all the other palaver that makes me want to pull my eyebrows out. I like descriptions that are clean, to the point, understandable by a layman, and if they’re a bit poetic too, I’ll give a big, happy sigh of delight. 

So, my test blog is looking fantastic! Clean lines, great menu system, the front page updates with any new content. It’s damn exciting. I have a three-fold menu structure – you can look at art by themes eg. all art of any type involving tree spirits, or by medium, eg all acrylic painted works, or by scrolling through thumbnails of all artwork loaded on the site. Here’s the really tricky, clever bit though. No matter how you get to it, you are only ever loading the same page. That means if a work that is listed under say, Inks, also under Cats, and under Asian style paintings because it fits all three categories, happens to sell, I update the one page only. That’s very important! Otherwise you can forget to update duplicate pages and frustrate buyers. The gallery options that come with the blog are gorgeous but I’m not using them as they won’t allow me to do this. I have to upload the image again for each gallery it is used in. Duplicates are trouble when running a blog! I really do not want to be forced to have each artwork in one gallery only, it will make looking for a particular work much more difficult for users. So, I’m a little bit excited about it all. A professional looking portfolio and one stop shop for images of my art sounds awesome. I can integrate back and forth easily, in the test site the ‘blog’ tab takes you straight here. I wish I had about 40 more hours in my day, darn it!

My Brain is Full

I have so many projects happening at the moment, in true multiple style… even so, I’ve reached my limit! My brain is full up with information, ideas, creativity, I’m dreaming long, tiring mad dreams that last for months or years and even when I lie still I can feel all the machinery whirring around up there. I kind of love it and I’m kind of exhausted by it. When I get in the zone I can do anything and it’s exhilarating!

I have a lot of art homework to do this weekend, the housework has all been done which is awesome, and I’m eating three meals a day which is even better. It’s hard to work on the wildly creative stuff and keep the practical things happening for me… my paperwork is terrifying and colonising my desk, I must remember to fill scripts, I have a talk for Tafe on Wednesday I need to do some work on…

One of my newer projects is with Radio Adelaide, I’ve signed on to become the online producer for their Writer’s Radio program. I’m so happy! It’s such a good fit. I’ve devoted a chunk of time this weekend to familiarising myself with WordPress (the platform for their blog, I almost never use it) and Adobe Audition CS6 which I have never used before. I was successful in editing three segments from the show to be uploaded separately to the site. I’m very pleased with myself – go and check them out here.

I had already grabbed the sarahkreece wordpress name in case I ever wanted to use it down the track, it’s just been a empty site redirecting any traffic to this blog. But as I need to become a lot more comfortable with WordPress, I’ve decided to try and turn that address into my art portfolio. Particularly when I’m handing out my details for facepainting, having some person whose just trying to plan a party have to work their way through this site, bursting at the seams with all sorts of things, does seem a bit silly. So I’ve created a shell site over there and over the next month I plan to fill it with images and a proper gallery and costs and such to make booking me for a party or buying some art a lot easier. I hope. 🙂 So far so good, the design is really nice and harmonises with my business cards. Have a look here.

Must run, more work to do! Still eating, still sleeping, so things are okay. 🙂

Sculpting the Sea part 2

My class, Sculpture 1, lasts a whole semester and encompasses 4 projects plus a journal. The first project I’ve been working on is making moulds and replicating small sculptures of my own. You can see the first part of this project here.

I’m adoring this class. I haven’t done any sculpture in years and I haven’t thought of myself as a sculptor, but this class is opening my mind to so many possibilities for smaller works made from affordable materials. It’s making me very happy, I will definitely be majoring in this subject through my studies.

Having made my tests and prototypes, the next step was to sculpt my final clay works, so here they are. Four beautiful waves and one little boat with goods and a tiny person wrapped in a hood and holding onto the boat.

While the clay is still wet, I’ve covered it with silicon to create five moulds:I’ve then created interlocking two part plaster shells for 4 of the moulds. The 5th mould is the small pair of waves and doesn’t need an outer shell. This part was nerve wracking because I wasn’t certain I was going to be able to separate the plaster shells into their two parts without destroying anything!The first plaster mould is a success! Perfect little waves duplicated:The two part shells worked perfectly. At last I can cut the clay originals out of the mould:Waiting until now to cut the silicon is very important. In my first trials I cut the silicon before creating the plaster shell. This meant that the plaster shell forced its way into the split silicon, and all future casts made with that mould would have a large fin of extra plaster that had pooled in the split area. In this case the plaster shell does the opposite, it forces the cut edges of the silicon mould together so that the cast is almost perfect.

The first big pour. Here are the moulds, turned upside down and rested on clay rings. They are bound together with split bicycle tubing which is slightly flexible but very strong and perfect for the task. And here they are at last: the first set of plaster casts. Gorgeous!And then there were more:I will keep pouring more for a few weeks until I have sufficient to create a miniature stormy ocean about 1.5 m square. Finishing the works is the next challenge. The plaster responds really well to being sanded:And then trialling a few different styles of painting them:

I particularly like how these black and green ones have turned out…

Art Supplies

I had a particularly unhappy day recently, nothing went my way at all. I ended up trekking across town to buy art supplies to try and cheer myself up.

This collection is mostly not the flashy and exciting items, but the duller backbone items of arts practice: new brushes, inexpensive folders to safety store finished ink paintings in, a brush box to store my face painting brushes safely when travelling with them…

My big quest was actually about gold paint. In painting journals recently, I’ve been using my top quality artists acrylic paints and I was thinking that a cheaper craft paint would be more suited to the task. I went looking for a replacement folk art paint, only to discover the range is no longer stocked in Adelaide. In the end I bought a gold folk art paint from the Jo sonja range, and a pearl ex gold pigment. I then tested every gold paint type I own to see how they stand up. And what so you know, the good quality paint I’m already using has the colour and coverage of the lot. Ha!

White Cat Art Journal

Cat art journal 1
I’ve been busy painting a new blank art journal. The background is iridescent, which doesn’t show up in photos but looks pretty speccy.
Cat art journal 2
I’ve used crystal extra fine glitter for the beetle wings and left a blank white space on the spine.
Cat art journal 3
I’ve also signed and decorated the title page inside. I’m pretty pleased with how it all turned out. 🙂

Cat art journal 4

Logo for group The Gap

Today I finally bunkered down in my studio for some non-art degree related art making. 🙂 One of my projects was this; to make the logo for one of the groups I co-facilitate. The group is called The Gap, and is for same-sex attracted women aged between 18 – 40. Hence the ‘gay rainbow’ represented in the tail feathers (traditionally using only 6 colours) for this bird of happiness. This work has been made with ink on archival paper, the bright colours are Chinese style ink paints which are beautiful and vibrant. The bird’s body is inspired by traditional henna designs.

Draft one of our postcard advertising the group can be viewed here.

Sculpture Lounge


This is the lounge area in my sculpture studio. I spent the best part of yesterday here. Much of the rest of the day was spent doing stressful things like accidentally catching an express bus to a long way from home, freaking out at a parking fine, having the mysterious intermittent electrical fault in my car play up again, and so on. Very drained, very in need of rest.

Studio Makeover

I have spent Sunday shifting the furniture around in my studio, making chicken stock with leftover roast chook, and wishing I wasn’t getting up so early for sculpture class first thing on Monday.

I’ve been wanting to rearrange the studio for a while now, and yesterday was a day I could ignore all my other obligations and shut down at home to get it done. It took forever and involved totally destroying the room. Midway looked like this:

Which was deeply demoralising. But I persisted and sorted a number of scary boxes and got rid of centrelink letters from 2004 which I really don’t need to keep anymore (yay!) and other such junk. The finished result at midnight was this:

Which is about 8 boxes fewer, and the new arrangement makes the wardrobe properly accessible so I can put away my coats. I do lose a bit of table space by putting them against each other, but I can easily access both grey shelves and I have somewhere to store the big easel when it’s not in use now:

Looking forward to getting in there and making some more journals and ink paintings soon. Must stop doing heavy lifting stuff on Sundays, everything hurts!

Sculpting The Sea

At Tafe I’m loving my sculpture class. This Semester we’re learning mould-making. We’ve been set the task of making a sculpture of small pieces that connect or interlock in some way. The originals are created from clay. I love clay. It’s a bit hard on my hands but there’s something magic about it, the transformation of base material to artwork. I’ve decided to make a small seascape, moulding waves and boats that can be fitted together. Here’s my first test mock up in clay:

This is the clay boat, the silicon mould, and the plaster boat made from it:


The wave shapes are more complex structures. I had to cut the clay original out of the mould:

Then make a two part interlocking plaster shell to hold the silicon in place when it’s filled with wet runny plaster:

Which all results in this plaster cast of a wave:

I’ve been buss-ing in every Monday for a 9am start, which is hard as I’m not getting to sleep until around 3am at the moment. I’m coping really well with the public transport though, that can be something I find stressful but I haven’t had any issues. My new super fast smart phone is awesome and makes using public transport so much easier. My car broke down for a few days recently and I kept all my appointments on trains and buses, very pleased with myself. So much easier when Google maps does all the route planning instantly! I’m loving all the extra walking too, it’s setting off a bit of tendinitis but nothing severe. Summer is going to make that hard so I’m making the most of the last of the cool weather where I’m able to be more active. The early mornings are surreal but manageable for now. I’ve a few extra ones coming up, like the Rufus May training, and that wipes me out. My schedule is pretty packed at the moment, I’m needing all the down time I can make in it. Worth it though. 🙂

Art degree started again

I’m doing 2 subjects this term in my bachelor of visual arts, one is Sculpture, the other is Concept Development. C-D seems to be an extended journal making process, which I thought I’d enjoy as I like to journal and keep track of my concept development work in my own arts practice… We were told our journals need to be uniquely our own, to reflect our interests and passions rather than our ideas about what the tutor might like, which is great. Then we were given quite an extensive list of things not to include in the journals as the tutor doesn’t like them. Our topic is food, but we’ve been told not to do anything about starvation or eating disorders, only the lighthearted side of things. And not cut outs from Women’s Weekly magazines. Or recipes. Or food art (art make out of food). And so on. Awesome. Considering the rates of eating disorders in our culture at the moment, I’m kind of blown away by the insensitivity of the choice of topic. At least two or three of us in every class will be struggling with our relationship with food, or very close to someone who is. Fortunately for me I’m a mad foodie so I’m not expecting to have a lot of trouble with it.

Sculpture this time is about making and using moulds, so for the first time I am actually slightly ahead of the class. I used to work in a statue factory, painting the concrete statues. I didn’t make the moulds but I’ve seen it done and have made plaster casts and wax moulds myself before. We’re learning a process using silicon which is really exciting, once you can replicate a sculpture the possibilities are pretty unlimited. I’m looking forward to sinking my teeth into the project. I’ve borrowed some books from the arts library and read a couple already, it’s going to be a good term. 

Projects

I have been enjoying the Tafe holidays over the last couple of weeks but today everything starts up again! The Semester 2 classes I can enrol in were a bit of a disaster timetable-wise, so today at 9am I will be in the sculpture studio, pretending to be awake and hoping that small part of my brain that records conversations for me to listen to later on will be functioning. It is sculpture however, so maybe the sheer manic excitement that produces in me will offset the sleep deprivation… yet to be seen…

I am enrolled in two classes this term and three the next, part of my cunning plan to crowd out my week slightly and prevent the peer work side of things from taking over entirely. Fingers crossed it works and doesn’t just exhaust me considering the rest of my schedule.

I hit organisational overload a few weeks back and got to the hiding under my desk stage so the work on the not-for-profit org the Dissociative Initiative has stalled slightly. I’m planning to get back into the swing of things with that within the next few weeks and actually start answering email/my phone again.

I’ve been working on a project for Radio Adelaide, they have a program called F Sharp which is about women and music. I’ll be a co-presenter/producer for their next two shows on Wednesday at 3pm (101.5FM) which is great because it’s a pretty low key way to brush up my skills a bit and feel more confident in the live studio.

I’m also starting to work on a new network, we do not have an official branch of the Voice Hearing Network here in SA so I’m working on putting together a website and linking in with all the other branches around SA to help people find our local resources more easily.

The group The Gap is starting to grow which is exciting. I’m chuffed to meeting so many new people and making new friends, also through another group Trinity Sistas, which thankfully I am not facilitating.

My work on setting up the studio so it is easier to make ink paintings is paying off, I finished another 4 a couple of days ago which is damn exciting. I have a paper I am loving that is archival quality, torn up into different sizes and shapes and stored in a box. When I feel like painting one I rummage through the box and take out the piece of paper that feels like the right size. It’s almost as easy as painting in a journal except this way I can hang the pages to dry and keep painting on a new sheet if I’m in the mood. It’s a good feeling.

Bridges is almost at the one year mark! I am extremely proud of this achievement, it’s been running almost every week and has grown into a strong, caring group of very diverse people who are very accepting, supportive, and have a great sense of humour together. This week we will be celebrating with a Mad Hatters Tea Party and we are all planning chocolaty treats and outrageous hats.

So, plenty going on as usual, all the groups going strong and in exciting directions and lovely new art projects to sink my teeth into. Hoping it all gets off to a good start this week.

Outfitting the studio

Check out the new floor easel! A friend of mine is sorting out their studio and generously gave this easel to me. It’s gorgeous!

I’m looking forward to creating some larger paintings on this, and especially painting outdoors once the weather warms up some. 


My studio is irritatingly cluttered at the moment. Zoe is chewing on everything at the moment so a lot of my belongings are being stashed in the studio to keep them safe – such as all my shoes:

I’ve also got the last of the boxes from my move here, stashed under tables and on the shelves. You know the ones – at the end of the move where any system had totally broken down and whatever remaining stuff strewed the floors was stuffed into boxes. I have quite a few yet to sort and arrange so that the shelves are more functional. 

I had a fairly lousy day, the kind where having a shower is an achievement. I cheered myself by doing some reconnaissance at two local art shops, continuing the work I’ve been doing on getting my inks set up more professionally. 
I came home with some Arches paper, the big awkward A1 size because it’s the most economical and I like the ragged edges when you tear it down to size, in three different finishes and thicknesses to trial and find what works best with my inks. I also bought this cheap water dish/brush holder, so I can hang my expensive watercolour brushes (which I use for the inks) upside down to dry, which apparently keeps them in good condition for longer. 

I also bought a couple of different types of portfolios to display/protect my finished works. You can buy these up to A1 in size, but that is expensive. I went for two A4 and an A5. My current system to protect finished ink paintings has been hopeless, I am pretty excited that some of these are not too expensive and will make it much easier to store and find work again.

The 25 ink paintings for my talk “Peer Work: a consumer perspective” now have a home. I am so pleased about this, it’s about time. Once I make some space to store a collection I’ll buy some more and file all my old collection safely away. It will be good to pull out some of my older works and have a look at them again too. I might try and photograph some and load some here on the blog for you. 

Can’t stay and chat, I have a studio to clean up. Hope your week is off to a good start.Â