Wrist poem – blue rose

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A line from my journal “the black rose blooms like a bruise beneath her fingertips.”

I’m feeling run down and burnt out by the house move, job stress, and recent violence. I sat in bed the other night and painted this on my skin. I accidentally spilled a container of ink, so I also have turquoise all over the sheets and one leg. Fortunately Rose is now familiar with the oddities of living with an artist and didn’t turn a hair. I, in the other hand, felt like I could breathe again, just for a moment, little snatches of feeling alive. I’m buried by self hate, fear, an empty feeling that haunts me, a sense that all my life has been laid out before me and there is nothing new, no hope or joy or excitement to be found in it. I feel bound by roles, silenced and unable to break out of expectations (I should be happy, I should be happy).  Ink on my skin breaks the story, helps me walk a different path. For the rest, I’m being patient. All the panes have been knocked out of alignment, out of sync out of kilter. They’ll come back.

Very tired face painter

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School holidays are done! In between moving house I’ve been over at Adelaide Zoo painting faces. Today I was a cheetah. I’m now home, totally exhausted, and not moving off the couch for many hours!

I’m pretty happy with my work. To make a profit at the zoo I need to be able to get kids on and off my chair within 4 minutes, that includes them telling me what they want and wriggling around! I’ve developed a great set of zoo faces that are really quick, look good, and don’t go near mouths (which mean they still have a chance of looking good after lunch). I’ve come a long way with this work and I still enjoy it. Skin as a canvas for paint still fascinates me. I’ve learned a lot about my tools and medium and the business.

We are nearly through the emptying Rose’s house side of the move. The finding homes for things in my house side of it will probably take a lot longer but won’t be as exhausting… That’s what I’m telling myself anyway. O.o We’re doing good, there’s clean clothes on the house, the kitchen is functional, and I’m mostly on top of the admin. The rest is coming along in dribs and drabs.
For fun I’ve been introduced to be board games Pandemic and Ticket to Ride, which I love. I’m a little addicted. If my friend doesn’t visit with them again soon she might find me outside her window with my nose pressed hopefully against the glass….

Sculpture – Dr Who, Van Gogh pendant

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Polymer clay, acrylic paint, polymer gloss and matt varnish. I made this for friends for Christmas, as they’ve now received it I can finally share it with you! I used a tiny (000) brush for the painting, which took me as long to do as the sculpting did! I’m rather pleased of this one. The Tardis is protected with gloss varnish, the background with matt for a stronger contrast. The reverse is also painted in the ‘starry night’ style. It’s strung with waxed cotton and a silver clasp. I love sculpting in miniature, it’s actually possible in my tiny space, which is better by far than all the wonderful large ideas I have that I can never do… Art college starts again soon and I’m going to be doing another sculpture class finally… This semester will be wood and metal. I can’t wait. ❤

Ink Painting – Waiting for you

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A new ink painting! We’ve started our second cycle of trying to get pregnant today. The mood is optimistic about our house. We’ve been cautioned and chastised a few times since we started on this path about how openly we’ve chosen to share our experiences. Each to their own of course!

I was talking with Rose about this again recently and asked her if it was harder or easier to experience loss or disappointment in secret? She said, for her, it was harder. Secrecy bred shame, layered confusion into relationships where people didn’t know why she was reacting the way she was, it left her alone in grief. Personally, that’s certainly been my experience also. When it’s chosen as a preference, it’s privacy. When it’s imposed by others, by culture, by friends or family who don’t want to talk about it, then it’s something else much more lonely and painful. As with so much of life, it’s about having the freedom to choose. I’m glad to not be alone in this.

Feeling things

I’ve just wept through Nick Cave’s spectacular concert.

Nights like tonight, it makes no sense to me
That when we need to feel something, or feel something different
We go to a doctor. Why? They’re terrible at it!

Making you feel things is what artists, musicians, actors, and writers are for. And they’re much better at it.

Buck Angel – trans and diversity

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This awesome dude is Buck Angel. He was in Adelaide recently doing a number of shows at part of our Feast Festival, which is our annual queer pride event. I was fortunate enough to get along to several of them. I first met Buck as an amazing life size golden statue of him by artist Marc Quinn, that’s in our Art Gallery of South Australia.
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Photo from this blog.

I was blown away when I first saw it, that confidence, the way his tattoos have been carved deeply into the statue… So beautiful. To display his unusual body (Buck went through ‘top’ but not ‘bottom’ surgery) with such a sense of contentment and certainty about who he is just blew me away. Apparently it’s not unusual for people to be deeply moved, particularly trans folk.  Then I heard the subject was coming here and I got to hear some of his life story, his transitioning, to hear about how this statue was made and brought all the way to SA. It’s been amazing.

I talked with him a little about the overlap between the trans and multiple communities, the need for more understanding and acceptance. I’ve been building more links between these communities in my work on the Dissociative Initiative. My experience has been that there’s a lot of trans people who experience multiplicity, and a lot of people with multiplicity who have trans parts/personalities. The mental health and the trans supports however, don’t always get along.

Buck got it. His messages of loving your body, and embracing your identity, and not letting the world tell you you have look a certain way or have certain body parts to be who you know you are is a powerful one, especially for trans members of multiple systems. Some of us transition and some, like me, never will. (More about my experiences in What is a man?) I live as a male in a system full of female personalities and a body identified as female. Learning to be comfortable with this is so much easier when you have a hyper masculine, “I love my vagina”, pro diversity role model like Buck.

We talked a little about the massive changes legally and socially that have happened, just in the time since he’s transitioned. It makes me hopeful that things are going to change for those us with multiplicity, who currently are seen as mentally ill, treated as dangerous, or the punch line of a joke. There’s a whole community of trans people who can relate to our experiences around those issues! These are people who understand fears of being outed, how our relationships, housing, and jobs can be at risk, the pressure of trying to pass so no one will know we are different. That’s the reason I’m public about being multiple, to start that change happening. We shouldn’t have to hide! We can find ally’s in communities like this and support each other.

Buck told me – it doesn’t take many of us speaking up to change things. Just a few voices make a difference. I believe that.

Art with friends

I had the most relaxing evening last night, showing a couple of friends the basics of painting with inks.

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It was wonderful. We discussed the possibility of starting a local art mental health group, I’m kinda keen, but also busy and needing to earn money, so it’s a hard call. It was really fun though.

In other news I’m doing free local talks and meets around Adelaide and I’d love to see you at one of them! More details in the newsletter from the Hearing Voices Network of SA: Dates to meet in SA, free events

College is over for the year!

WHOOOT! I am so tired. It’s nearly 3pm and I’m in my dressing gown still. I submitted my journal and drawing portfolio last night, and the lecturer said I had ‘a strong body of work’. Yay. Here’s some photos for you – some you’ve seen part finished, and one I did yesterday in a style I’ve never tried before. I submitted 9 complete works and a folder of experiments. All are A1 size (some are close-ups). I’m pretty proud of myself. 🙂

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Everything is due

2014-11-29 13.04.23-1 2014-12-02 11.17.34-1The Hearing Voices Network is taking off! Everything is due at college tonight. o.O I’m flat our replying to emails, arranging meetings, bring people on board, and finishing my drawing journal and portfolio. My lounge is full of easel. Green smoothies have made their way into my diet. I am tracking ovulation in the mornings which means no first trip to the loo mostly still alseep and crashing back to bed because I have to pee on things and read results. I did my crazy massive tutorial for Art History class on Monday and got a HD. 🙂 Things are happening! Well, things except much sleep. >.<

 

Painting glass eyes for tiny sculptures

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Eeep! I have been really enjoying painting these tiny glass eyes (they’re 6mm) for use in my polymer clay sculptures. They are so awesome! So much fun and sooo fiddly. Even a cat whisker brush stroke looks clumsy on these. Here’s a little example of a sculpture I’m still working on using a set of my eyes:

2014-11-05 12.28.01-1Isn’t it gorgeous!? They actually follow you around the room, no matter where you’re standing. 🙂 I am so enjoying sculpting in miniature, even in my tiny new studio space I can pull it off. I’ve been missing my classes so badly since I have to finish all the rest of my first year subjects before I’m allowed to take on any more sculpture classes, and that’s been kind of heart breaking. 😦 But these little artworks make my heart happy. They take forever, I wound up doing this one at my computer in front of photos of foxes because it was so challenging to get the nose/ear/eye/face shape right. But it will look gorgeous once it’s finished, fired, and hand painted. 🙂

I’m being encouraged to try selling on Etsy and I’m feeling rather tempted!

 

Drawing class – charcoal

2 hour charcoal drawing from objects arranged by our tutor. I quite enjoy these, they’re challenging. The subject matter is extremely dull, but our task was converting colours to their tonal value of grey. The funnel, bucket, and lantern are actually all primary colours.

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Drawing class – maize

Rose and I are both sick with a tummy flu, and serious case of the doldrums. Siiiiiiiigh. I’m finding being sick so depressing it’s hard to breathe. I’ve had a bad headache for three days now. Or one month, it’s all blurring in together with sinus infections and surgery. I saw an ENT at the hospital the other day, he’s happy with the surgery and said everything is healing well. He also said I shouldn’t still be having facial pain and should see a neurologist. He was a bit of a dismissive ass, to tell the truth. Everytime I hear about how people with mental illnesses would be so much better off if they were treated the same as people with physical illnesses, I kind of want to laugh, in a hysterical, jaded, painful, coughing-up-a-little-blood kind of way…

I don’t really know what to do with that. I know I have issues with chronic tooth infections, and I’ve had basically two years of sinus infection near constantly. I also have issues with TMJD, pain caused by muscle tightness in the jaw. And I’m nearly four weeks out of surgery. At this point, I think it’s pretty reasonable that I’m still in some pain, and if the surgery healing isn’t causing it, likely one of the diagnoses I already have is. Despite a letter from the jaw specialist, and me reminding every single person I saw about this op, including the damn surgeon himself in the actual theatre, the request to scope my left check while I was under and check if there was infection or just scar tissue showing on my xrays was ignored. So I’m going to have to go all the way back to my dentist again and try to figure out if my root canal has gone bad and infection is eating my jaw, or if nothing is wrong and we leave it alone… Bastards.

In Drawing class, which I think I’m still just possibly attending often enough to maybe pass, we were instructed to make many multi media images of a single item. I chose a dried cob of maize.

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This last one is my favourite. I love inks. (They’re painted on white gesso)

Sophie turns 2, with cake

Sophie, my gorgeous god daughter, has just turned 2. Rose arranged the gifts this year, and I decorated the cake. Rose put a great deal of thought into the collection of presents, and none was more appreciated than the mini trampoline she assembled from flat packed with only a few bruises and cursing before the big reveal. Sophie has christened it Bounce and it gets a good work out. She was extremely difficult to photograph! She’s reached that age where the only time she’s still is when she’s asleep. 🙂

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I somehow pulled off 9 hours of work in total yesterday over 2 busy gigs, between exhaustion and the post surgery pain I was in no for state to bake a cake like I’d arranged. So we did the next best thing, Rose arranged a mud cake from the local Cheesecake Factory, and bought me ingredients for an excellent crusting buttercream frosting, and I decorated it this morning. I’ve not done a lot of this kind of piping work, but Sophie’s Dad specifically requested buttercream as she really enjoys it, and I’m personally a huge fan of cakes with minimal fondant ie ones that actually taste good as well as look pretty. So I decided to pipe a bouquet onto the cake. Finished with her name and sprinkled with a little edible gold glitter, out turned out pretty special. 🙂
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Drawing – ‘After’

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Mixed media drawing made in art class, primarily charcoal. We’re experimenting with different ways of layering and building up images. I like the ghostly landscape behind the charcoal one, it seems surreal and dream like to me. The whole work turned out surprisingly reminiscent of a landscape after bushfire. This process way of creating is very alien to me, I generally know exactly how I want something to turn out when I start an artwork. There’s something to be said for exploring and being surprised, it’s liberating.

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Drawing using a ground

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Working on a new drawing in art class, familiar theme, had to make an Australian animal from brown paper, then draw it. We’re working a lot lately with preparing that paper with a ground. (That’s the background, in this case a mix of gesso, willow charcoal, and chalk pastel) I hate blank white paper, as an artist and a writer. Ruining it with random mess means anything I add to it can only be an improvement. That can free up the creative process a little.

The is only half way done, well be working on it more next week.

Finished pendant: ‘Vision of motherhood’

Today was a rare day. We had terrible nightmares and someone woke to an unfamiliar world. We live so much in the day at the moment, our strange poets have been pushed into the shadows of life. Full of intensity and desperate to make art, she tried to stay out but couldn’t shake the sense of displacement from being out in the day. Rocked in their wake we reached for stillness and tried to listen closely.

We worked through last weekend so were due a day off. We decided to stay home and hope to make art. We’ve been severely blocked, not short of ideas but unable to create, overwhelmed by an appalling inner presence who dominated and destroys the process. All our efforts to work around or reduce the impact of this introject have been unsuccessful. We’ve made no art unless required since our friend Leanne died and we sculpted a pendant in her memory.

Somehow today we found a way through. Someone turned up who is silent and who listens to silence. All through the day we didn’t speak or play music or do admin or touch Facebook. Out on our island another world descended and the block was left behind. We cleaned up or studio space until we could function in it, and then spent the day sculpting, painting, and carving. We painted the pendant we’d made for Leanne. It’s burnished silver which doesn’t photograph easily, with swarovski crystals, a pearl, and paua shell. I’m very proud of it, and deeply relieved to have found some way to create again.

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Frameworks in art

Art history fascinates me. Here, I find the origins of the tangle of ideas around art that have so confused me today. I was thinking about my initial approaches to psychology the other day. I started out both attracted and hostile to the field. The first time I saw a shrink, they terrified me. Each of us colluded in a bunch of ideas such as they knew more than I did, and that their opinion was more informed, more rational, more accurate than mine. I’ve learned a lot since then. I’ve learned the language, and I can use it with the best of them. I’ve learned about factions, arguments, reforms, and a complex if very short history of the field. It’s been highly empowering. I still have those two basic reactions- attraction and hostility. There’s great wisdom in it, and terrible harm and ignorance. Knowledge has given me what I need to be able to navigate it and choose what I will take on for myself.

In art I’m terrifyingly ignorant. I was the first ‘PES’ art student in the 20 year history of my school. I got a perfect score, but with almost no education in art history. I did patchy research on Dadaism and Van Gogh, but had no broader contexts, no frameworks for my understandings. Later in my first aborted attempt at uni, I found the lecturers deeply embedded in a Post Modernist framework that utterly alienated me and I dropped out after 3 weeks of being told that any art that has been commissioned is not ‘real art’, and that technical skill is irrelevant.

I like frameworks. They are how I make sense of my world. Understanding the ones I’m using and the ones other people are using and where they come from and how they intersect is incredibly useful to me. It maps the terrain and gives me information about perspectives, motivations, and the massive and all too common communication challenges when we’re all speaking different languages and making different assumptions about the world. In art and the art world, I’m blind. I don’t understand the territory, I haven’t known the history, and therefore I can’t navigate. My most important goal of operating ethically cannot be achieved if I can’t articulate the context of my choices. When faced with moral problems in the field – should I accept money from drug companies? Is my work sufficiently useful to the community to accept grant money from councils? and so on- I can’t make decisions because I do not know what the broader implications will be. Without a clear framework for ethical action, I freeze up and withdraw. I can’t engage if I can’t engage ethically.

So I’m loving art history classes, because I’m starting to see the broader context and the frameworks that underlie my confusion. Yesterday our researcher part turned up and read half the internet looking for answers to two simple questions – what is art, and what is an artist. Fascinating. I’m working on a thorny essay question that sounds simple at first:

Investigate the available data on the visual arts as part of the wider arts industry in Australia. From your research, how do visual artists fare financially compared to their fellow workers from other areas of the arts? What strategies have been applied to help remedy this situation? What additional initiatives could be used to improve the financial outcomes for artists?

Dig a little and you’ll find an embedded series of assumptions that direct the way people even think about this question. Question those assumptions and the whole field really opens up. How do we define an artist? How do we define a professional artist? How do we define the arts industry? Why should this ‘situation be remedied?’ Who by?

What is art? What is an artist? The answers are implied but there’s so much more to explore. What I’m finding is that the answers to those questions are dependant on the context in which you ask them. Art has many domains, some entirely distinct, and some overlapping. As I tease them apart and articulate them individually, so much of what has confused me becomes clearer. I’m starting to understand the territory, and with that, starting to gather the knowledge I need to act, to position myself, to function in relationship to it.

Old stories of the Art World

The more I learn the more I’m realising that the confusion I’ve felt about art is not mine alone but a clash of different stories and ideas, a shipwreck of notions of what it means to be an artist, and of what art is. I find myself not liberated by the breaking apart of all these ideas, but confused by them, drowning in the foam and flotsam.

I’m loving art history lessons. I didn’t expect to, but I find them thrilling. I feel like I’m trekking through wild country with a good guide. I have no idea what I’m doing or where I’m going. I’m completely out of my depth. But I’m exhilarated, soaking it all up, starting to see the patterns and frameworks that move beneath the surface like the skeleton of a strange new creature.

Something strange happens in the classes. I find the blocks in my head ease. Something in me lets out a breath. I can imagine a place for myself in this vast, complex, and colourful landscape. Most of the time I can’t. I feel small and stuck in a cage I don’t understand and can’t escape. A lot of my art happens only in the driving of great need. (that’s not true of everyone in my system) I hope to change this. Experiences of freedom and belonging in this world, however brief, are hopeful.

We live (and try to create art) in a post modern landscape littered with many broken stories about the people of art and the place of artists. I experience intense ambivalence about art. I love and hate it. I find it essential to my life, but also vapid and pretentious. I love and admire some creative people, and loathe and detest others. My own stories about my place in the world as an artist don’t make sense. They’re broken fragments of older stories, and they both link me to a meaningful history, and cut me off from a coherent future.

Today in class we discussed art in the context of the sacred, of making holy objects. Our lecturer drew parallels between the language used to describe artists, and that used to describe shaman, people who cross the thresholds between the domestic and the sacred world. It’s one more story of art, flightless and yet with an old power in it.

I think of wrist poems that save my blood, and descending into my own underworld with body paint during psychosis. This is not who I am, but it is part of my story. I’m learning more about the ghosts and relics of the art world and in this dark confusion I see a rich source of new stories and understandings. I’ll find a way out of the cages in my mind. I’ll tell a new story, weave a new vessel to travel in.

Choices

I handed in all my work for the semester at Art College today. I feel drained and exhausted and euphoric. I have no idea what I’m doing next, or even if I’m re-enrolling in the next subjects. (My degree has been defunded by the government and won’t exist in 2016. I can’t finish it in that time even if I was doing it full time.) I was up late last night finishing everything. I’m happy with my work for Drawing class, and really happy with my work for Photography. I created my first zine, and spent time in a darkroom learning how to make photograms, photomontages, and use handmade negatives. That part was awesome. The topic was awful. We had to explore identity through self portrait. I felt so challenged and exposed by this that I found that I couldn’t write much here any more. I don’t know if that will change now that I’m done. I rather hope so.

It turns out that when sharing feels like I gift I choose to give, I get pleasure from it. I don’t need to write a blog. I have journals. I’ve written privately for many years. I choose to share to let people in, to connect, to be a voice for other people like me, to be visible as multiple, bi/pan, trans, a mad artist, a trauma survivor, who is defined solely by none of these things. But being told I must share, and must share personal things, feels painfully similar to being bullied. I hate it. I get very angry and my art gets angry. My sense of the audience changes. Usually when I write here, I think of you guys, the readers, as my friends. I try to be mindful of people who are themselves very vulnerable or in chronic emotional distress. I also try to consider people who have never experienced what I have and try to bridge the Gap between us. Having a deeply personal topic set for me has warped my sense of my audience. I don’t have a sense of people who are warm or curious or hurting. I suddenly have a sense of a disinterested, impersonal, critical audience, one who is judging me harshly from a superior distance… It doesn’t lead to a comfortable sense of sharing. I’ve done my best anyway, and I’m proud of the work I’ve submitted. I’ll share it here once I get it back.

I’m also in the middle of a short series of business mentoring arranged by the disability employment agency I volunteered to attend a few weeks ago. It’s intense and exciting and confusing as hell. I am so tired of floating about in a haze of uncertainty about what my future looks like… but I remind myself over and over that I’m so damn fortunate to have this future, to have choices and opportunities. People are talking to me, about me, agreeing that I have something kind of unique in my skill set and passions. I’m being encouraged to re-engage my mental health work, which is thrilling and scary. It’s hard to decide where to focus, what risks to take, what timetable to work towards. I’m pulled in so many different directions with no promise of success in any of them. I also got some amazing feedback from Tafe today, a sense that I could be at home there, find a sense of belonging – as I am, out and visible, not as the student who first went there several years ago who was anxious and afraid of sharing about her reality – chronic illness, multiplicity, queer. I’m not scared any more. I want to stay out. I want to be seen as a person, and I want to keep being a voice for others who are not as lucky as I have been, where I have so little to lose by being honest. I want to connect with other artists and keep learning – I have so much to learn. I also want to be independent and earning my own income. I want to feel that I’m making a difference in the world – the way I feel when someone sends me an email telling me this blog saved their life, or cries when I henna an angel baby onto their palm in memory of their pregnancy loss.

I don’t have answers but I do seem to be gathering support – other people who believe in me or see potential in my work. I can, on good days, see a glimmer of a future where this works without being too much for me. Where I get to feel that I’m changing some small corner of the world and earn money and take care of my family. And have the occasional psychotic episode, meltdown, spiritual epiphany… learning to live with a sense of enduring homelessness, of being different and far too disconnected from my own soul, the losses of adulthood. And the dark hours where everything makes sense, where the stars sing to me, my lover breathes patterns in the frost on my skin. So it goes.

Last drawings for class

I’ve nearly finished a semester of drawing classes for college. It’s been incredibly hard as I’ve been ill and sleep deprived every Monday morning. I’ve made it through the classes using music on my MP3 player to ground me, coffee, and lots of trips to the bathroom in case I vomit. Nevertheless, I’ve learned things, tried new approaches and techniques. I’ve missed a couple of classes due to sickness and a funeral, but I’m confident I’ve done to pass, and hopefully pass well. Here’s a few photos to catch you up –

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I’ve missed doing my little ink paintings lately, but it has been good to explore this much larger format (A1). I’ve discovered that inks, oil washes, and charcoal is a very intriguing combination. I still don’t feel like I know what I’m doing, or why. But there it is.