Community and dreadlocks

I’ve been trying to write a post here for a couple of days, but life continues to be hectic, mostly in a good way. 🙂 I’ve snatched a moment now where Rose, my goddaughter Sophie, and her Dad are all napping. I don’t do naps. I blog!

News! This is what my shower currently looks like. It’s been blocked since Friday. Can’t use the bath either. So I’ve been cleaning myself under my sprinkler, having sponge baths, and borrowing friend’s showers.
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This is the bucket of tree roots a plumber has pulled out of the drain so far. Some of them are quite large! Apparently someone will come by sometime this week with a high pressure jet thingy and blast them free.

Until then, I’m glad I own a sprinkler and thank god for friends willing to share bathrooms.
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For those of you here who may not have caught up with things, I now sport a whole head of beautiful dreadlocks! I got them done on a whim while in Melbourne, after the parts who can give talks and be brave and whatnot made it abundantly clear they were not impressed about doing this with really boring hair. It seemed a fair trade. So after waking past this shop:
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I said to myself, this is my kind of place. The lovely Weird Sistas shaved the sides back and wove the most beautiful, natural, clean, product-free dreads I’ve ever seen.
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More than that, we had the most wonderful conversations about life, community, getting screwed over, love, voices, parts, taking risks, and serendipity. I was utterly blissed out and I love my dreads. They are beautiful, smell amazing thanks to the cinnamon spray I got to take home, and incredibly easy to care for. My usually hyper sensitive irritated scalp has settled down considerably since I’ve had them woven in. Happy!

Rose is inspired and excited, and hoping to take their classes and learn to weave dreads herself. This could be the most wonderful opportunity for us both to be in a creative, artistic, people oriented, alternative field, and we’ve been talking about little else all week!

On a personal level obviously it would suit me to have her able to maintain my own dreads, but bigger than that, doing dreads is no more all about hair than doing body painting is about paint. It’s about community, connection, listening. You’re doing something very personal with another person, something creative, but also an exchange. People who sit for the hours of dreads generally talk. They share what’s on their hearts. You need to love people, to be an exceptional listener, to have a genuine heart for then to do this work. Rose most certainly does.

I love that this isn’t mental health work the way my peer work is, and yet it’s not nothing. There’s something about an exchange of kindness – in my own work, about the privileged space in which people may be literally naked, where you work with them to bring a new artwork into the world. (through body painting) To be more embedded into our local alternative communities feels absolutely right. To be making choices about career that fit so well into our hopes for children soon. There’s so many exciting things afoot!

The other day I mentioned I was hiding from admin at a local belly dancing event. It was wonderful! Piles of beautiful fabrics, jewellery, lovely cheap good food served with gracious care. Henna art, chai tea, women of all ages and shapes adorning themselves, feeling good about themselves, feeling a sense of connection to a community.
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I love these groups so much. I feel so at home in them, the poverty that isn’t brutal, the sharing, the artistry.

I’m finding different cultures and connecting more and more with them. Getting out of the straight jacket of middle class ideals imposed onto a life of low income and disability. There are so many other ways to live. Alone, I’m so, so vulnerable. As a group, nearly anything is possible. People share spare rooms, lemons, recipes, child raising ideas. It’s such a different world from the fearful one that’s been engulfing me, all of us alone in our homes with our appliances for company, trying to stop anything in our world changing. I’m found people who believe in sharing what you have, who think that blood doesn’t make family, who understand that life doesn’t always go to plan, and that sometimes that’s a wonderful thing.

I’m not so afraid of winding up homeless again anymore. I love and tend to a whole community of people who love and tend me back. I think if I fall again I won’t be alone. I’m finding different ways to live and love and risk, and that gives me so much hope.

Sleep deprivation & tattoos

I am very, very tired today. There’s been a lot of energy output lately and far too much kitten going on at 5 or 6 am, when Tonks inexplicably seems to feel lonely and demand attention…

On the plus side, I hung out with a friend at her awesome salon Rockabilly Body, and we talked about possible business collaborations which is really exciting. Then I trekked off to a mates party and offered hand painted temporary ink tattoos as a birthday present. And, you know, managed not to pass out. I think I may even have been friendly, but I couldn’t attest to that.

Here’s the big design chosen by the birthday girl:

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These are very cool, I hand make the stencils based on the clients choice of design the night before the gig, then transfer the pattern onto the skin and hand paint the tattoo inks over that. They don’t stain the skin at all, just sit on the top of it, and can be completely removed with alcohol. If you care for them they’ll last usually 2-7 days. Rose gets about 15 hours out of hers, I get about 12 days. Different skin types very widely. They are time consuming but pretty darn awesome. 🙂

Commissoned Works

I’m sometimes contacted to create an artwork to fulfil a specific need such as to illustrate an idea, emotion, or situation. I take these on a case by case basis. It’s best if you’ve had a look at my gallery to see the kinds of work I make and styles I use, so you can see if your idea fits my work, and you can tell me what existing works I have that inspired you.

Click on the title for more information about each work.

Ink Painting – Child and Tree

Art commission ink drawing

Ink Painting – Tigers and Trucks

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Ink Painting – Bright Wings

 

Art Shoes – Space

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Art Shoes – Mexican Folk Art

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Art Shoes – Wedding Peacocks

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Logos & Art in Presentations & Brochures

Please click on the titles to see more information!

Handyman Logo & Marketing

Business Card Draft 5

Logo: The Undivided Heart

I developed this coloured pencil drawing for the multiple community, and also the same design in sterling silver as a pendant.

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Sound Minds Logo: Hearing Voices group at Mifsa

Developed in consultation with the group members who chose the fern in sunlight, and the colours, to represent growth and recovery.

Hearing Voices

Logo for group The Gap: supporting same-sex attracted women aged 18 – 40

Logo for group The Gap

Developed in consultation with the group members, who chose this fabric painting by me as a start point:

Fabric Painting

Creativity Talk

A series of ink paintings created to illustrate a talk about using creativity to manage mental illness and other life challenges.

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Introducing DID Talk and Brochure

These acrylic paintings were created to illustrate my very first presentation about Dissociative Identity Disorder, and the subsequent brochure I created.

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About Dissociation Talk and Brochure

These ink paintings were created to illustrate talks where I am explaining what dissociation is and giving conceptual frameworks to understand it.

About Multiplicity

Consumer-Led Service Delivery Talk

This talk was developed in partnership with Ben Swift, Team Leader of the Education and Therapeutic Groups Program at Mifsa. We delivered it at the SA Mental Health Conference, and again to staff and clients at Birches locked ward at Glenside. This topic is a passion of mine. The illustrations are coloured pencil.

What does Recovery mean?

About Multiplicity Talk and Online Resource

This talk was developed to give an overview of a simpler and more inclusive framework for understanding the experience of ‘multiple personalities’. The ink painting illustrations form a key aspect of the presentation.

About Multiplicity

Healthy Multiplicity Poster

Presented at the World Hearing Voices Congress 2013, I created this poster using images from my Introducing Dissociation and Multiplicity talks.

Multiplicity poster

Peer Work: A Consumer Perspective Talk

Delivered at the FAHCSIA Peer Work Conference in Melbourne, I created a series of ink painting to illustrate my experiences in the mental health system before and after the introduction of the peer worker role.

Consumer Perspective

Artwork Purchased by the Bipolar Caregivers Association

Follow the link to see my artwork being used in their brochures and online.

Recovery: Rainbow Bird

Made from felt, this bright, happy birds represents qualities such as community and creativity, which have been key components of my own recovery. The tail feathers resemble the tears of grief and pain that are also part of this process.

Trauma Informed Care

Stress Vulnerability Coping Model Poster

I created this during a Cert IV in Mental Health Peer Work. Markers on Paper.

Stress Vulnerability Coping Model

Fantasti-cat: Art under duress

Unimpressed by yet another mandatory craft activity during the Mental Health Peer Work Cert IV, I was brutally honest about my assessment of my own strengths.

Peer Work course

Things to Watch or Hear

Click on the titles:

I’ve done some training in media through Radio Adelaide, and also enjoy creating small projects such as films, animation and spoken poems. Here’s a scattering of my work over many years, some very early:

Short Film Clip: Sarah K Reece on the Enriched Workplace

4 minute clip discussing mental health in the workplace.

Podcast: Interview on Radio Adelaide Arts Breakfast

My experience of miscarriage as an artist, my 2016 exhibition Waiting for You, and the launch of my first artbook Mourning the Unborn.

Short Film: Regeneration

The result of a Film Making Bootcamp, collaboration with three other people. We were given the topic ‘Mental Health and Community’.

Spoken Poem: Night

My first recording of reading one of my own poems.

Podcast: My personal experience of voice hearing

Following a Rufus May workshop back in 2012, I shared my thoughts about my experiences and understanding of my own voice.

Stop motion Animation: Dogboy and the Gift

A college assignment, collaboration with 2 other people. We had to make a stop motion using the idea of chewing gum in some form.

Art at the beach

I’m frantically working, trying to catch up from being sick all week. Managed to pull off my gig yesterday painting for 5 hours at the beach, then put in another 6 hours of work on a poster for the Hearing Voices Congress. I’m tired and a bit frazzled and still not brilliantly well. Tomorrow is going to be hot and my car air conditioning isn’t fixed yet, so I’m looking at driving over with Rose tonight instead in the cool. I’m wired and hyped and not sleeping anyway, so as long as I get someone chilled and level headed out to drive (which means ice coffee and good music and boots) that should work. In the meantime I’m working on my talk and packing and fixing up the DI website. So here, have some photos of art. 🙂

Sarah K Reece's avatarSarah K Reece

Today I was offering free at at Henley Beach, provided by the Dept of Planning, Transport and Infrastructure who were asking people’s thoughts about some new ideas for trams and bike lanes and the such. It was a stunning day, sunny but not hot, water flat, blue, and perfect. My office was under sails directly looking out on the ocean. Days like today I’m the luckiest artist in the world. 🙂 On the downside I’m slightly sun burned, but it was worth it!

Here’s a couple of photos from today, I was offering face or arm paint, and glitter tattoos.

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Photos of Henna at the Blackwood Uniting Church Fair

I’m offering another form of body art now…

Sarah K Reece's avatarSarah K Reece

In very exciting news, I am now offering henna to the public as part of my temporary body art collection! I recently created henna art for people at the Blackwood Uniting Church Fair to support the local community services work, which was very well received. I’m not the best henna artist around, if you’re looking for henna for your traditional Indian wedding, I’m happy to refer you! But for festivals and parties I can certainly deliver. I’ve been trained in henna application and I mix my own henna so I have a good understanding of safety and how it all works.

Unlike every other form of temporary body art I offer, henna cannot easily be removed before it naturally wears off over 1-3 weeks. This means you need to give a little more thought about what and where you choose to have your henna, particularly if school, work, or an…

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Cupcakes with chocolate ganache

Tonight was the third of four cupcake classes I’ve been holding at the local Women’s Community Centre. I’ve really enjoyed this work, it’s very different from face painting, but the process of helping people build skills is one I find very rewarding. Today we covered making and whipping chocolate ganache, filling cupcakes (we used raspberry jam or nutella), and make edible sugared decorations. They turned out really well.

It was too hot a day for me though, I’m tired, have a tummy ache, not looking forward to even hotter weather tomorrow. 😦 The car is going in to the mechanic this week, hopefully I will soon have air conditioning working in it again! 🙂

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Gather everything you need

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Make the cupcakes and let them cool

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Make chocolate ganache by pouring hot cream over chocolate bits, and whisking until smooth. Allow to cool and then whip.

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Cut cones into cupcakes and fill them with something yum 🙂

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Pipe on whipped ganache and add something pretty to top.

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Sugared rose petals

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Sugared pansies

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Sugared mint leaves

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Facilitating Cupcake Workshops!

I’ve been offering Cupcake Decorating workshops through the local Women’s Community Centre at Stepney, SA. This is the first time I’ve worked as a facilitator with this centre, so I was quite nervous at first, but I’m finding my feet. We decided to offer four classes for the cupcakes, also two for face painting, and one for glitter tattoos. So far I’ve facilitated two cupcake classes. In the first one, I demonstrated making American style buttercream icing with cream cheese, and royal icing. Everyone learned how to cut and set up an icing bag, and fill it. Then we practised using different tips to make icing swirls on upturned cups. Once people had the hang of them, they iced some real cupcakes and decorated them with food glitter. We also practiced lines, dots, and flowers with royal icing on biscuits.

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People made big improvements quickly with their handling of piping bags which was encouraging for everyone.

This week I brought in fondant and flower modelling paste. We learned how to colour fondant, and how to marble different colours together. We made fondant flowers with cutters, learned how to use different types of molds to shape fondant, how to hand shape roses, and how to cover cupcakes with buttercream and rolled fondant. We packed a lot in to two hours! I’m so impressed with what people came up with. Some things were much easier to pick up than others, but everyone went home with a basic understanding of how to work with fondant so they can further pursue whatever they enjoyed most and practice their skills. 🙂

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In the next two classes I’ll be showing how to fill cupcakes with yummy things like Nutella, how to make and pipe ganache, and how to make and hand paint flooded run out style cupcake toppers with royal icing. We’re gathering more participants with each class which is great, people seem to be enjoying then and going home with some useful new skills, not to mention some really pretty cupcakes. 🙂

Body Painting Workshop

Checkout photos and details of a body painting workshop I attended recently… there’s a really gorgeous owl I’m particularly proud of 🙂

Sarah K Reece's avatarSarah K Reece

I recently participated in a body painting workshop, with the kind assistance of a couple of friends who let me cover them in paint. 🙂 The first half was practicing application with a kabuki brush and blending techniques, so this model wound up looking like she’d been in an explosion in a paint factory, with the addition of a gorgeous foam latex starfish. Foam latex add ons are really lovely!

Please be aware these photos depict body paint on partially nude models, paint is applied over underpants.

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First birthday cake, inspired by henna and bollywood

My gorgeous goddaughter Sophie turned one, and her birthday party is tomorrow! I’m providing the cake. Because she is half Indian, I love to draw on that colourful heritage when I’m making her cakes. I saw some beautiful cakes recently that used henna designs and I thought that would be perfect, if I added some colourful flowers.

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This might be a first birthday party, but almost all the guests will be adults, and as I learned with Sophie’s Christening cake, most adults don’t much like fondant. So for this cake, only the flowers are fondant, and they are thin and easy to pick off. The cake itself is a dense moist chocolate mudcake, iced with a dark chocolate ganache.

I started the process yesterday, colouring and rolling out small portions of fondant, then cutting and stamping the flowers. I dusted all the flowers with an antique gold edible luster to add some richness. 🙂 I love edible lusters and glitters. 🙂

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Next, I baked the cake. I used a large spring form tin, it took about 1 3/4hrs in total to bake. I was a bit desperate for it to be ready so I could go to bed. Once cool, I levelled it and placed it on a gold cake board.

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The flowers were dry and set now, so I added some more bling. Small balls of coloured fondant and silver cachous were added with bright yellow royal icing.

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Make the ganache, allow to cool until thick but still flexible (about the consistency of peanut butter) then ice the cake. Place the flowers on the cake and arrange.

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Stick down with royal icing and fill in the gaps with henna designs. Continue around the edges of the cake 🙂

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I’m very proud of it! Every bit I’ve taste tested has been amazing. It’s very adult and decadent in flavour, but very colourful and young in appearance. Job well done. 🙂

See more like this:

I need a drink

Today was hard. I want to use a lot of swear words but I’m being censored internally. Working a lot lately, trying to keep up with some big new work opportunities, that generate a hell of a lot of admin for us. So my life is currently gigs and admin with the occasional housework and sleep. Nowhere near enough sleep.

If we have the excitable ones out it works okay, they thrive under pressure and work like dogs. Today sucked however, it was freezing cold and wet. It was supposed to get warm and sunny but didn’t. We left our jumper home, so slowly chilled through the day. This is not at all good for pain levels with the fibromyalgia. Due to the weather there was hardly any work, which is emotionally exhausting. You’re on display the whole time and have to stay cheerful and friendly, even if the occasional nutty person treats you like scum (why is it some people think face paint should always be free?). There’s always some wonderful people which is usually enough to make the day worthwhile. But a 5 hour shift, very cold, in a lot of pain, for very little pay, and an hour and a half driving either side of it after a previous two days of work, pain, and sleep deprivation was too much today.

I also got into a conversation with someone who thinks face painting is easy money, and someone else was clearly a bit confused that I find the drive home really hard. It is so depressing some days to deal with the chronic pain and invisible disability, to be held to standards I can’t meet. More than depressing sometimes, triggering. We were rocking quietly the whole afternoon, a major warning sign, we’ve learned the hard way.

Between lots of coffee and more food than I wanted to eat I was able to get back down the freeway without having to slap myself on the face to stay awake like I had to the previous week. I got to Rose’s place where she was just waking up after her night shift to put on some dinner. We crashed into a shaking, weeping, exhausted, nauseated mess. It isn’t helping that Rose and I are both working hard and at different hours so most of the time we spend together one or both of us are trashed and sleeping on a couch. Dinner was beautiful, I’m so lucky to have a girlfriend who’s an amazing cook. Rose napped and I watched the box feeling like I had a javelin in my back. Crashed into a weepy conversation which was badly timed and going nowhere good, switched, played around a bit before Rose went off to work, then went hunting an open bottle shop because sometimes too much sobriety is bad for your health.

Adelaide is lousy for that, at only 10pm nothing was open except for a bottle shop in North Adelaide, which turned out to also be shut but hadn’t bothered to update it’s hours online. So, I came home with 4 litres of milk and a bag of salt and vinegar chips, which wasn’t what I had in mind. At home I raided my liquor supply, which considering my hopeless liver severely restricts my drink intake, is in pretty good shape, and decided the evening would look better through the bottom of a large glass of black sambuca and ice.

I was right. I’m now in bed, wearing an old jumper of Rose’s, with a kitten, watching Dirty Harry. I feel pissed off and sore, but a hell of a lot more stable. Nobody will be cutting tonight. Boots firmly on the ground.

Many wonderful developments

It’s been a brilliant day here! I provided body art for a mental health stigma reduction event this morning, secured a whole bunch more gigs this afternoon (I am busy! I am basically booked out for all of October!), then collected the mail which included my new exciting dog crate which will make it possible, I hope, to sleep over other places including camping with Zoe!! I also got my new henna aftercare cards, my new updated post cards, and my new cheapie fountain pen to replace my lovely lost one. I feel like a poet again! One cannot be a poet without a fountain pen. Well… it’s better to have one anyway.

Then I did a whole lot more business admin (Sarsaparilla helped)
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And read a bit more about anarcho-syndicalism to see how it might be relevant for creating powerful groups in mental health, more indepth info here. Tonight I’m going to hang out with friends and have pizza. Tomorrow I’m going to sleep. It’s been good day. 🙂

Where does my psychosis come from?

7 weeks ago I had my first adult experience of psychosis. I was extremely fortunate in that I knew what was going on, and was able to find enough strategies to manage it that it passed comparatively quickly. For the next several weeks I felt very vulnerable, on the edge of that place. I felt dissociated, and mildly paranoid. I had a strong feeling of being watched at all times, or of having someone behind me. At times it was stronger than that, the sense that I was standing on the lip of a hole in the fabric of the world. I was looking at reality, but just behind me was a tear into the void, dark and cold and terrifyingly inhabited. I could feel a cold wind on my shoulders.

I was still in a highly sensitive place, where certain things would speak to me in a way I wouldn’t usually experience. At a party a few nights later, a song comes on that has a guttural male voice singing and it’s like that moment in films where the background suddenly seems to zoom into the foreground without displacing it. The sound of the deep voice is reverberating in my body and making my hair stand on end. I go outside where I can’t hear it well. My hair settles back against my skin.

For the first few days I stay in the light, keep all the houselights on all day and night, and do not leave the house after dark. I do not drive, I do not work, I’m just patient. I test how things are developing gently, try turning out a light and wait to see if the hallucinations return. I find that I exist in a twilight state for a few weeks were the dark is mostly empty, but sometimes starting to fill with hallucinations. Being driven home by Rose, I’m watching the sky curiously as night falls, relieved when it’s empty, cautious when things move within it.

A few nights after the episode I’m lying in bed, talking on the phone, and the conversation is becoming increasingly stressful as Rose and I don’t see eye to eye or understand each other. I feel a sense of a charge rising in my body. It reaches mass and my sense of self suddenly dissolves, like a drop of oil onto a vast surface of water. I have no sense of my body, of gravity, of weight. I have no sense of being the right way up or even what way that is. I feel vastly infinite and utterly tiny at the same time. There is a consciousness at the center of a galaxy of stars like dust. I am falling in every direction at the same time. I close my eyes, knowing that I am still only a woman, still lying in bed, speaking on the phone, having an argument with my love. We keep talking. We find a place of connection and common ground. I feel myself come back together, like big bang in reverse, silent and without violence, all the stars gather back into my skin.

Gradually it eases, this sense of being suddenly skinless, on the edge of this world and another one. I’m so fortunate. How many people even know what psychosis is when they have their first experience of it? More than that – know what might help, know that it’s temporary, know that I can survive it? I re read a book I own called Unshrinking Psychosis by John Watkins. I recommend it for anyone seeking to better understand psychosis. Two ideas stand out to me – that there is method and meaning even in madness, and that not all psychosis is a breakdown. Some is a messy restructuring of the mind, a transformative process. Not breakdown but breakthrough. Not indicative of problems or stress or failure, but of growth, process, recovery. This resonates with me.

I also reached out to a mentor who has also experienced psychosis and we went out for coffee. The chance to talk with someone else who has been there – and come through it, sans lifelong complications, diagnosis, medications, and stigma, is such a relief. I ask one question in particular – “I felt so lonely in that experience, was it like that for you?” They tell me – “Lonely is not a strong enough word for the feeling of profound aloneness and alienation.” Yes. That’s how it was for me. They remind me – crisis is nothing more than the interruption of a pattern. For good or for bad.

There are things I understand better now. I understand the tremendous distress of people who’s sense of reality has collapsed when we try to tell them the things they perceive are not real in an attempt to comfort them. This is not reassuring. We are trapped between our psychotic perceptions (which may be terrifying, or not) and an awareness that we are going mad, which is absolutely terrifying. Knowing that the experiences are not real does not stop them happening to us. It’s like being trapped in a nightmare from which you cannot wake. Knowing it is not real does not stop the fear or the horror, in fact the sense of disconnection from everyone else, from the ‘waking world’, to push the metaphor, is terrifying. And we don’t know if we will wake up. So we cannot come to harm physically unless we act upon the psychosis – when the terror was so intense that my skin was literally rippling across my body, the effort it took to stay still and not run – blind with terror, through any obstacle and into any terrain, took everything I had. Even if ‘it’s not real’ means I can’t come to direct physical harm, I can certainly suffer psychological trauma. ‘It’s not real’ reminds me of the dissociative process of a child being sexually abused – not physically harmed, but violated and traumatised, who thinks to themselves ‘If I pretend this isn’t happening it cannot hurt me’. We know that’s not the case, that these experiences impact and change us even if we deny them. The experience of psychosis impacts, changes, and even traumatises us, even if ‘it’s not real’, because experiences that invoke terror, horror, helplessness, and isolation always have the potential to be deeply traumatising. The emphasis on it’s not real, don’t acknowledge it, the focus on getting over it and back to life, sealing off the experience as quickly and completely as possible seems like a highly dissociative process to me.

And there lies a dichotomy in my experience. It was not real, and yet it was real to me. More than that, it had a sense of profound significance and meaning that I am still gently examining. There was a sense for me of the indelibly familiar about an experience that was at the same time, utterly alien and new. Talking with my support people I drew upon many seemingly disconnected threads of my life that all had some link to this experience. I remembered my vivid imagination as a child where I could perceive things that other people did not – particularly at night. Foxes that ran up and down our hallway, soft footfalls on carpet and the brush of coarse fur against my legs, but not the musk of the real animal. The shadows that congregated in our lounge room every night, tall as adults, having meetings, talking among themselves in a murmur of voices that was the soundtrack to all my childhood nights. If disturbed, they would rush as one furious mass to wreak some unnamed horrifying punishment on any child out of bed. Some nights having crept out for a drink of milk I would be trapped in the triangle of light that spilled from the open fridge, waiting for dawn to come so the shadows (which could not move into the light) would go dormant. (waiting for the dawn to come – so many sleepless nights where only dawn soothes me to rest even now) My wild imagination made me stand out as a child, but not so much that I would have received any kind of psychotic diagnosis. I was different but not that different. I wonder sometimes if all children are naturally psychotic – and yet aware of the divide between the real and ‘not real’ that they perceive: imaginary friends, ‘pet tigers’, games. Somehow we lose this with age.

Another link; making connections with younger parts in my system (I have DID) has been a frightening and fascinating process. It has been hard for those of us who are older to permit our inner kids to have time out in our body. For some of us, it’s painful to be misunderstood as being childish. For others, it’s frightening how vulnerable inner children can be, and how lonely it can be to be a child in an adult body. A few months ago a very young part came out to play with a my little pony toy. They ‘flew’ the toy around the room. We were co-conscious for the play. What was absolutely startling was the physical response in our body. It reacted as if we were flying. Muscles tensed and relaxed, electric sensations feathered across skin, with the highs and lows of the flight the stomach flipped like we were in a car going fast into dips and rises on a road. When the adults switched back out, they were blown away to have this glimpse of a child’s world again. Children, or least, my inner children, have an intense empathic bond with toys that allows them to experience what the toy does. It’s outside of anything I have felt as an adult. No wonder children can play for so many hours. No wonder I struggled to not lose this ability myself as a child, playing games with younger and younger children as my peers lost interest in imaginative play.

A few months ago I was playing a game with friends that relies on imagination. Called Beyond Balderdash, you have to quickly invent plausible definitions of words and other cues. I find these quite challenging, not least because being a creative person, I’m expected to be very good at games like this and the pressure interferes with my thinking. For the first couple of questions I wrestled with my brain, trying to come up with original ideas and mostly drawing a blank. The struggle was fruitless, like trying to use a hammer to thread a needle. Then I felt a shift inside me, something wrestling with me and wanting me to get out of the way. I relaxed and let the process unfold. I stopped shaking my brain in frustration, trying to squeeze a creative answer out of it. Suddenly ideas came out of nowhere, easy as reading off notes someone else was handing to me. There was no struggle. My imagination just spoke. I thrashed everyone else at the game, and went to bed that night feeling thoughtful and a bit confused. It almost felt like cheating, the way Eleanor Longden describes her voices giving her the answers to an exam and wondering if that was cheating.

In my arts practice I’ve also been experimenting with something curious. When I’m doing something like painting, for me it’s a very intellectual process of calling to mind the shapes and colours I want to create and then doing my best to get my hand to make them. I’ve noticed at times that while doing this, I can ‘see’ an image on the canvas (or paper, or skin) that I’m painting on. It’s not really there and I know that, but I can still see a faint ghost image of what I’m trying to create. And it’s often different from what was in my head – maybe only in a small way, such as the placement of an eye, but it is different. So sometimes I ignore what I was trying to paint and I paint the image I see instead. Again, it feels oddly like cheating. The strange thing is, it’s surprisingly effortless, and it almost always looks better than what I had been going to do.

I think about sculpturers describing their process as being seeing what is in the stone and setting it free, rather than turning the stone into something. Rather than a quaint turn of phrase, this concept now startles me.

Nightmares that have been so deep, involving, and horrifying that my sleep became a place where I was helpless and tortured. And yet, a sense that in them in something powerful and important that I would be at great loss without. Memories of being so afraid of the dark as a child and young person that there was a sense of being on the edge of running, and that if I ever allowed fear to overwhelm me and started to run there would be no stopping and no safety ever again. An incident as a young person where I briefly hallucinated a nightmare figure when trying to confront my fear of the dark and had a panic attack. The experience of sensory dissociation and trauma so profound that I craved touch to ground me back into my body and sense of self. My desperation to experience psychosis as a highly traumatised young person who could not escape the daily pain of things like chronic bullying and alienation at school. And yet, curiously, I failed, and at the time, reality remained immutable.

Separate and yet connected experiences. Many of them, like threads all leading to a complex tapestry I now seek to understand.

I understand now the rage I felt in some people at the last Hearing Voices conference I attended. At the time I recoiled from it, wanting to walk a gentler path of diplomacy and peacemaking. But, sitting in my bedroom wracked with terror, on the edge of needing crisis support and knowing how profoundly traumatic that ‘support’ would likely be, I felt the terror and fury of someone marked for abuse and helpless to prevent it. The sense of safety of being at the edge of conversations about appropriate supports and responses to psychosis was stripped away. I was no longer a ‘voice of reason’ on the sidelines. I was now naked and vulnerable and under the microscope. The knowledge that simply being honest about my experiences could see my most basic rights taken away from me in the name of protecting me, could see me drugged and locked away, trapped and confined, subjected to solitary confinement, forced into therapy with people who use entirely different frameworks from me, horrified me. The instinct for self preservation said – silence. Secrecy. Be small, quiet, hidden, and run a long way away from the places where people like you are kept under guard, sedated, tied to the bed, given intense directives and advice by every nurse, doctor, and shrink, most of which is contradictory. So instead, I blogged.

I should be able to call a place like ACIS and tell them about my drug allergies and DID and trauma history and explain that I need a quiet place to rest for a few days and just enough sedatives to help me sleep without sending me into liver failure. The liklihood is that I would be abused and ignored as a faker, or committed, dosed on meds I cannot tolerate, and then find myself trapped in hospital in a spiral of drug induced psychosis and forced ‘treatment’. A system that is both over and under responsive to crisis, that has ‘entry and exit’ problems – it’s hard to get into the system and get help, and also hard to get out again. There’s rage in me that this is the ‘help’ available to me – high risk, and likely as traumatic as it is helpful. What I need is Soteria, a place of safety and respect, where people who are neither afraid of me or my experiences hold my hand while I rest, find my feet again, make sense of things, return to my life.

There’s not just chaos and loss here. Psychosis has been like being tipped up into my own subconscious, filled with wonder and stuffed with nightmares that breed in the dark. I refuse to live in fear of my own mind. There’s powerful things here, about life and love and art. If the alternative is the loss of those things, is the ‘flatland’ of a life that does not move me, of art that is forever the imposition of my will upon things around me, instead of a conversation with my own shadow, then I’ll risk a little madness.

When I was a child, my Mother believed fantasy and imagination were powerful and important. Creativity is essential to life. One of her friends believed they were dangerous. Her children were not permitted to watch the films we watched, or to read the books we read. Their play was shaped in ways mine was not. I wondered, after this experience, if they were right. Has being exposed to fantasy made me more vulnerable to losing my grasp on reality? Or has it left me better equipped to navigate my own inner world?

In the hearing voices group I’m involved in here in SA we often talk about our inner reality. Instead of conversations about reality and delusions, we talk about the shared reality and the inner reality. What I experience in psychosis isn’t real. But it is real. It is my reality, drawn from my mind and my life. Full of the promise of connection and art and a deeply felt life, as well as nightmares and terror. Of embracing child parts and making sense of trauma and facing my demons.

I’m back on my feet at the moment. The dark is empty, I can walk through life without music or images speaking into my heart and calling up a flood. I’m scared, and angry, and aware of a new gap between me and people who don’t experience this, and another reason I am vulnerable to stigma and ignorance. I’m also thankful, thoughtful, listening to the world with one ear cocked towards that void. I will go where my heart wills and seek the deep truths of the soul. Fray into stars and become a person again.

Painting People

I’ve been working hard lately on my face and body painting business. I have new updated cards in the mail, a freezer full of fresh mixed henna, and the new workshops I’ll be offering at a local community centre in development. It’s also school holidays so I’m pretty busy with gigs. This is not doing a lot for my sleeping, but I am getting things done and almost keeping up with the admin, if I don’t think too much about how many things are still on my list. None of that is terribly exciting to read about, so here, have some lovely photos from my recent gig at Monarto Zoo. 🙂

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Empathy and bullying

Amanda Palmer wrote a piece about empathy and cyber bullying on her tumblr recently that I found thought provoking.

I think people misunderstand, sometimes, the difference between “empathy” and “sympathy”, and this is getting us in trouble. Sympathy is closer to pity. Empathy, which is essential for being human, means that you can imagine yourself in some else’s situation, good or bad. And feeling *real* empathy, even empathy with “the enemy”, with the bottom of the barrel of humanity, with the suicide bombers, with the child molesters, with the hitlers and the osamas, is necessary. If you, as a human being, can’t stop and try to imagine what sort of pain and agony and darkness must have descended upon these people to twist them up so badly, you have no roadmap to untwist the circumstances under which they were created.

via i was just answering a bunch of questions for a… – AMANDAPALMER.TUMBLR.COM.

I wrote this as a comment on the piece:

As if empathy comes only from our best selves, as if it’s only our kindness, or generosity that allows us to reach out and feel what another person feels. Our darkness also unites us in strange and painful ways, other’s pain or violence sings to our own, make claims of kinship where we wish there were none. We like to make the evil ‘other’ – those abusers, those nazis, those demonic monsters who have no connection to me, no humanity left in them. It’s painful to recognise that a lack of humanity is part of what it is to be human, that our humanness is vulnerable, it can be torn off, or cast off, and we can still walk and speak and eat and do violence. Empathy reminds us that the monsters do not merely prey upon us, they are us, defiled. It reminds us to treasure what makes us different from them.

It’s a topic I find relevant in many areas of my life, as an artist, and as a service provider in mental health. As soon as there is an ‘other’, you risk your bond to your own group by empathising with them. It’s one of the things that makes peer work so difficult and draining for me, the service users and the service providers can be strident and aggressive in their demands that I orient myself as one of them exclusively. I’ve lost count of the number of times staff in mental health have criticized me for ‘wearing my peer worker hat’ or my stance on how harmful our use of professional boundaries is. I’ve also struggled with how demoralising and painful it is when other service users criticise harshly, with no sense that you are also a person who is at times vulnerable, and that all relationships have some level of mutuality to them. Other peer workers can also be a group of their own, demanding adherence to their ideas – after giving a personal and exhausting talk at a conference once, I had to walk out of the next talk where a peer worker was berating a room of us for being insufficiently familiar with the world of academic research, and for getting jobs through people we knew. All groups place demands upon who is permitted to be a part of them. All groups have their ‘other’.

At a micro level, this dynamic of the ‘other’ and the risks of empathy play out in groups or friendship networks in my life in a way that wearies me. I’ve always empathised with the other, and this is the quality that people love in me when they find themselves being the other, and fear and resent in me when they find themselves hurt, stressed, or angry with someone else in the other role.

I’ve often been the ‘other’. I’ve been a lonely, bullied little kid who craved friendship and companionship with a deep longing that left me suicidal by the age of 10. I work hard now as an adult to be aware of the legacy of years of unmet needs, which tend to express themselves through numbness, bitterness, insecurity, and instability. I also work hard to resist the temptation to be comfortable in my groups, my social networks, and my work in a way that perpetuates abuse. As a service provider in mental health, I find this an extraordinary challenge. On days when I am too exhausted to do the hard work of diplomacy, to reassure angry and hurt people (which is not just the clients!) that I see their point of view, I’m at risk of rejection and hostility. It’s not a secure place to be.

This is one of the dynamics they don’t talk about in bullying. I moved to a new school in year 4. Due to a bunch of class dynamics that had nothing to do with me, I was instantly at the bottom of the social ranking and very vulnerable. Several students targeted me for bullying. This began a spiral of alienation and abuse that persisted for my school life. I was in a bad place where students who liked me were afraid to connect with me in case they were bullied too, and other students who liked me were afraid to tell their friends to stop bullying me in case they then became a target.

I didn’t stay at the bottom of the social network all the time. Sometimes something would shift my place in the culture. One year the class took up gymnastics and swimming in sports, where I excelled. I gained some respect in a subject where my appalling lack of ball skills and issues with feet and joints had left me the typical student chosen last for every team. Here’s the deal though, just because I was no longer on the bottom rung of the ladder didn’t mean the ladder had been dismantled. Someone else took my place, someone who was terrible at swimming perhaps, or embarrassed by wearing leotards in gym. There was always someone being made to feel excluded, being available for humiliation and power games, someone that everyone else could work out their own pain or frustration upon. Kids with disabilities that were insufficiently engaging to draw the protection of the teachers. Kids with mental health problems, or with abuse at home. Kids who were identified as gay (which is not the same thing as being gay).

One year in about grade 9, I’d cobbled together a small group of guys as friends. We would hang out at lunch, sometimes after school, even go to each other’s birthday parties. Another kid used to hang out with us sometimes. We used to play a lot of foursquare or brandy, fast ball games I was never particularly good at. On this day, this other kid was hanging with us, and he was terrible at ball sports and slow at running due to medical things. My mates were teasing him a bit, in a pretty good natured way, knocking the ball away from him so that he couldn’t pick it up. It wasn’t until he started to cry with frustration that my stomach flipped and the scenario that had seemed so minor and innocent a moment before suddenly became real. I was hanging out with a group and we were bullying the one kid lower on the food chain than we were.  I ran over to him to comfort him and told off my mates.

As it happened, a teacher witnessed this and I was given a slip of paper later that week commending me for being brave enough to risk my friends being annoyed with me. Having this teacher recognise the challenges of that situation and frame my response in this way anchored an understanding of the risks and issues of bullying for me that has never left me. I learned a lot that day, especially how unbelievably minor bullying seems to be when you are not the target. I also learned that without some kind of major social influence in the class or school – if you stand up for someone being abused you are always risking abuse yourself. Every time I got off that bottom rung, I’d find myself being forced into a bystander position to watch some other kid suffer. Groups of students roaming the school to hunt down the ‘gay kid’ and intimidate him. Older students roughing up younger students in the toilets. Girls humiliating and ostracizing other girls who were from poor families, or had accidents with menstruation, or who made the mistake of letting the wrong boy go too far with them.

These cultures cost everyone in them, they are built on fear, distrust, a profound need to fit in and find acceptance that seems laughable to adults, and a complex guessing game of social worth where a misstep can cost you all your allies. Everytime we tackle school bullying by advising the victims to behave in ways that make them less a target, we are also telling them to accept their role as bystanders to those kids who become the target next.

I had a weird relationship with many of the kids who bullied me. Those who had some kind of social power and were tormenting me out of boredom, sadism, or fear of difference I rarely got close to. But kids who tortured because they were themselves being tortured often had a strange connection with me. There was an empathetic bond. I heard their stories. I kept their histories of fear and degradation safe. These were kids who’s dad’s knocked their mum’s around, or whose older brothers were creatively abusive, or whose mum’s made them keep her company in her bed at nights long into their teens. With some of them, a space would be created for these conversations, like long bus school trips. They’d sit with me and talk, share funny stories or tell me secrets about painful things. They would meet needs for safety and honesty and compassion that they couldn’t in their own friendships. I would not get those needs met. At the end of the trip we’d all get off the bus with the unspoken understanding that the truce was over and I was fair game again. It wasn’t personal, someone had to be on the bottom rung. Half the kids who tormented me only did it to make sure it wasn’t going to be them. The same dynamic happened for me in theatre, where for the duration of the play I was a valued part of a team. Once it was over I would be distraught, because my membership died with the play, and the brutal reality of my lonely life would once again return.

The problem here isn’t the bully or the behaviour of the victim, it is a group dynamic that treats some kids as more important than others, more worthy of protection, more powerful and privileged, and those at the bottom of that as fair game because they brought it on themselves. In some classrooms, those with power – kids with a lot of influence, or insightful teachers, influence this dynamic and make it safer to be unpopular and disliked or in conflict with the popular people. In other classes – like mine, there’s a dark undercurrent of abuse, violence, mental illness, pain, alienation, and rage, and these things are expressed through a brutal social dynamic that leaves every student afraid of winding up as the target.

My empathy with my bullies made life hard for me. It’s difficult to tear a kid to shreds when you know s/he’s only making your life miserable because s/he’s in terrible pain. It is also made life difficult for me because I hated that I purchased my freedom from being bullied at the cost of having to be a bystander to the abuse of another kid. I could have gone through school with a lot less bullying, and a lot more inclusion, but the cost to my own values and beliefs was always higher than I was willing to pay. Everytime I got off the bottom rung I found myself allying with the next kid on it. I never developed enough social power to change the dynamic itself.

I remember once at about 15, confronting a boy who had bullied me terribly as a kid. I was struggling tremendously at the time, and in a difficult twist of events my drama group were doing a play that included a nazi youth betraying and abusing someone. This boy had been cast in the role of the abuser. Week after week of rehearsals, I sat and watched my bully torment another person. It was a powerful trigger and turned what had been my haven into a nightmare of hyper-vigilance and flashbacks I was trying desperately to conceal. One day I went to drink from a water fountain and he came up behind me and leaned in to drink from the one next to me. I hadn’t realised he was near and flinched back. He looked at me with derision and asked why I always did that around him. The world paused for a moment.

I decided to call him out. I unfocused my gaze so that I could look him in the face without seeing him, and told him that when we were younger he used to bully me a lot. I was expecting contempt or denial. What I got confused me.

He looked suddenly deeply sad and alone. It was like I could see a child in him drop his head, turn away, and walk off down a long corridor. He said to me “You have no idea how many kids have told me that. I don’t remember any of it.” And then he walked away. I don’t recall ever speaking with him again. This is a kid who I still sometimes have nightmares about.

Those are not too uncomfortable stories to tell, they make me sound like a victim or a hero. I played that role at times in other’s lives, but I also hurt people. I made choices I now regret, I was not honest with people, I used the little power that I did have in ways that excluded and hurt others. Most of us have power somewhere in our lives. We work out our rage or our demons from the places we don’t have it in the areas we do have it. I’m still trying to make sense of this.

When I was 14 I allied with a girl I’ll call Alison who was being bullied by her group of friends. She paid a high price for inclusion in their group, she was often run down, criticised, and her job was basically to fetch and carry. I was angry about this and she and I disconnected from them to hang out with each other. I then went through hell with a classmate who fell in ‘love’ with me, and tangled me into his suicidal distress. My capacity to empathise with him touched profound unmet needs to be heard and feel connected. He became obsessive and dangerous. At the end of a six month ordeal I was left with PTSD and total confusion about what just happened and why.

Alison had her own demons, and instead of finding comfort in our friendship she became a burden. She didn’t understand the PTSD, and neither did I. She couldn’t understand my new terror of touch, my sense of disconnection, the simmering rage that lay waiting beneath an apathy so heavy I didn’t care if I died. Her efforts to connect exhausted and triggered me. One day she covered my whole desk in tiny sickeningly cute stickers of teddy bears while I was away. I often had belongings defaced or stolen by my bullies. I was furious, and choked it down to ask her not to touch my stuff.  She didn’t understand. I couldn’t explain. I had run out of capacity to cope with things that didn’t used to matter so much, like being traded in at lunch time if someone more interesting was happy to include her. Our friendship had never been strong enough or close enough to have those conversations, and when I had been in a better place I could afford more generosity for the times she hurt me. I didn’t tell her about any of this, I just retreated. I pushed her completely out of my life over a 6 month period and justified it on the basis that she had always been hard work and I no longer had the energy. She was devastated. Her every effort to reconnect was rebuffed. I took her away from her original friends, made her feel safe and cared about, then dumped her alone. She was vulnerable and bullied and left with no idea of what just happened. I was not a hero in her story. I work very hard in my friendships now, to find ways to be both honest and warm. I fail. I try again.

We can turn empathy off when it no longer suits us in ways that are frightening. It is hard to acknowledge the times we have done that, because it put us in a place where have to see our own role as something we have no respect for. It’s hard to face our own limitations and flaws, and even harder to face them and still find sense of love and self-acceptance. Empathy can also be dangerous. It’s kept me in relationships where I was being hurt, because I struggled to wrap my brain around a crucial idea: that being able to understand someone’s behaviour is not a reason to put up with it. (See Stalking the Soul: Emotional Abuse and the Erosion of Identity) Over-empathising with someone in a position of power who lacks empathy for you is extremely dangerous. Empathy has cost me my peace and my chance to slip unnoticed through high school while other kids suffered, but it’s also protected my sense of identity and values. It’s a way I connect with other people, but it also alienates me from them when I empathise with someone I’m not supposed to.

Power scares me senseless. One of the things I have learned about it is that very often, we don’t notice when we have it. We don’t FEEL powerful. We are acutely and painfully aware of every area of life where it is absent and yet often oblivious to the places we do have it. We repeat learned dynamics, and set up new relationships on the same principles as the old, with merely a shuffle in what role we now play. We demand responsibility and empathy from those who have power over us, but are frequently unaware and uncaring of the way we use our own power. We want to be understood and loved, but often there are people we wish to draw a line around and say I do not want to have to understand or love them.

Peer workers are constantly being co-opted into the role of staff, pressured to choose a primary allegiance to the organisation that employs them. With the need for work, we are in an impossibly vulnerable position, carrying the weight of the need to be or provide a voice for all the other dis-empowered people, and trying to unite two groups of people who are often hopelessly incapable of having empathy for each other. When groups are full of fear or pain, they do not allow their members to be dual citizens, and they demand a loyalty to their own members that prohibits the capacity for empathy for the other – whether the ‘other’ is a terrorist, a bully, or a victim. We see and rightly decry this process when the alienated other is someone vulnerable, but we justify it when the other is someone we need to believe we share nothing in common with.

This empathy has written me out of my plans to get a job in mental health. There are amazing people working in it, people who have found a capacity within themselves to recognise the limits of their power, and to let go of what they cannot change. I have not. I am afraid of power and what it does to someone who wields it without reflection. I am afraid of the temptation of money and group belonging and security. I am afraid of the slow erosion of values. I do not trust myself to walk that path with wisdom, only with profound regret. I cannot stop empathising, at any point, with the person in the room with the least voice and power, and it kills me. Especially when they are angry with me, disappointed in me, or critiquing my services. I find myself split between my own perspective and theirs in a way that tears my head apart. I often find myself the only person working to see more than one perspective and find a way to unite them. I still have almost no capacity to see the limits of my own reach and accept them. Being required to be a bystander to things I find unjust makes me want to burn down buildings and run screaming into the night. I don’t cope well with systems, even those I build myself.

I don’t have answers for this. My path forwards is to always do my best to live with love. I believe that empathy is crucial, not only for those who are hurt, but those who are hurting others. Not to condone or minimize, but to face the world as it is, and the potential for darkness in others and ourselves. We can empathise with people and still utterly denounce their actions and hold them accountable. Sometimes following our instincts protects us from our own darkness, sometimes we find ourselves doing harm and don’t know how we got there. Empathy is part of understanding that, making some sense of what happened in those who now lack it, and how to strengthen it in ourselves and our communities. When we empathise with an ‘other’ we stretch ourselves over no man’s land to do so. In a war, this means our guts are ripped up by barbed wire, and we risk both groups tossing us into the no mans land. When it’s to a ‘monster’, we must face the disturbing reality of our own vulnerability to losing what makes us human, and we risk the rest of the world thinking of and treating us as one of the monsters.

“I got death threats. My twitter feed exploded with more than 5,000 tweets from strangers telling me I was a un-american monster for “sympathizing with a terrorist”. People wrote comments on my blog about how I should have my own legs blown off.”

via i was just answering a bunch of questions for a… – AMANDAPALMER.TUMBLR.COM.

In our friendships, empathy inspires a level of courage to be both loving and warm in ways that power confuses and trauma overwhelms. It is very easy to let myself off the hook for hurting Alison, and yet to be deeply wounded and angry at friends who have done this to me. I keep coming back to the same ideas – that it is difficult to remain fully human. That the act of living alters and erodes identity. That love can fill our lives to the brim, and also cost us everything. That love is essential but insufficient. That the alienated are also alienating.

We think we are kind, when we are only happy

CS Lewis

There are only two motives,
two procedures, two frameworks,
two results.
Love and fear.
Love and fear.

Michael Leunig

Amanda Palmer makes my life better

Last night was Amanda Palmer and the Grand Theft Orchestra in concert at Thebarton Theatre. Amanda is a wild artist, most recently famous for crowd funding her latest album Theatre is Evil. She’s bisexual, (like me) married to author Neil Gaiman, has a brilliant sense of humour and is deeply unconventional in her approach to music, relationships, beauty, and life. I admire her.

Yesterday I slept from 5am into the early afternoon. I woke to paint my sister for the gig so she could line up early. Rose was pretty unwell and slept through until about 20 minutes before the doors opened. It was rushed and wonderful and decadent. This concert, with all the wonderful misfits that would be going, is a perfect place to wear paint. I started with the face and couldn’t restrain myself spilling down onto neck, back, arm, chest. The white has blinged under the flash a little, it wasn’t as stark in real life. I love doing this, I want to keep doing many more.

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The lineup was unique in my experience. Instead of a supporting band, a range of other artists entertained us, including members of the Grand Theft Orchestra playing their own work. It was amazing. There were mad songs about bananas, deeply moving music about loneliness, surprise nudity. We laughed hard, a girl next to me gasping for breath and holding her stomach. Band members climbed into the box seats to sit on the balcony and ring tiny bells through a song so affecting no one in the theatre even whispered. We just breathed, as it sang us. All the artists had things for sale in the foyer or had sold out of them. It felt respectful of all the artists involved in a way that’s still ticking in my brain. It was the last night of the tour, and everyone looked exhausted and triumphant. image

Amanda and the band were amazing. They played, laughed, hugged, humped, danced, and sang their hearts out. I ran into a number of other friends there, old and new. The room was full of people like me, poets, artists, visionaries, people who wanted to connect and be inspired. image

Amanda was herself, raw, lusty, generous, connected. She sang two of my favourite songs from the new album, Do it with a Rockstar, and Not the killing type. Her work is intelligent, passionate, and layered with meaning. These are not safe for work or kids.

She’s not afraid of us. There was no barrier before the stage. We pressed ourselves against it and reached out to her. She dived into the crowd, wearing a coat with a massive sheer train. We held her while she sang, under the umbrella of her coat. She touched us, kissed us, trusted us. We gave her back to the stage.

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She sang a love song and asked to have all the lights turned out. We stood there in the dark, swaying, and singing ‘I love you so much’ together. She told us, if we felt brave, to hold a strangers hand ‘in a non -rapey way’. I held the hand of a beautiful woman next to me I’ve never met before. She told us, for tonight, we were all friends.

She came and crouched at the edge of the stage and held my sister to her and sang. This was not entertainment, something we watched. This was something that happened to us, with us, an experience. She never talked to us like we were fans, something less than her, she talked to us like we were fellow artists.

Christy and Amanda Palmer

She told us stories, funny ones, sad ones, ones about people she admires or loves. She told us that since her crowd funding success, people keep asking her what the future of the music industry is. She said she has no idea, but as long as people keep paying to hear music we’ll be alright. She said

I’m just trying to be an artist; to have a job I don’t hate, to entertain people, to pay my bills, without being accused of being a narcissist.

I love that. It makes sense to me.

The concert ended. We ran back to the foyer and bought T-Shirts. We were promised a surprise if we waited around. We admired the crowd, the hair, the clothes, the comradery. Amanda and the acoustic part of the band set up unobtrusively in a small room. We all crowded in, lining the walls and sitting on the floor. For someone with PTSD this was a nightmare. There was no possible way out, I was surrounded by strangers, pressed close enough to be touching several at once, the smell of people. And yet, I was ecstatic. It frightened me but in a way that made me feel alive. Amanda sang, with her utterly raw, ripped up, end of tour voice. She played her ukulele. She was accompanied by magnificent strings.

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We listened, with our whole hearts. My feet were swollen and extremely painful, standing for the whole concert had been agony. I was sitting on them now, knees and hips screaming. Amanda started to sing Radiohead’s Creep. Her voice cracked. We all picked it up and sang it with her.

This packed room of mad people sang “I’m a weirdo/what the hell am I doing here/I don’t belong here” together.

I cried, silently.

Once, when I was a young child, in a fundamentalist Christian church, with their expectations of friendship and closeness, instead of the distant secular professional boundaries world I now live in, have I felt that sense of belonging. Not often since.

The woman next to me I’ve never met hugged me.

Amanda told us not to give up and be overwhelmed by things like Abbot running our country. She said, we were there, with Bush, for 8 years. She said gather together, love each other, fight for what you believe in. Grow stronger. Stop hating, stop complaining. Make great art. She looked right at me and told us that artists matter, that art changes the world.

We were a community, connected by things by passion. Not by mental illness, loneliness, poverty, loss, although I bet plenty of us there experience those things. It didn’t matter that I have multiple personalities or a history of trauma, homelessness and poverty. I wasn’t a victim, or even a survivor. I was a fan, I was a fellow artist. A few years ago when I went into college to get a Disability Access Plan to help me with my visual art degree, the woman I spoke with was fascinated by the DID. At the end of the appointment, which was all about my physical illnesses and psychiatric problems, she told me I was so interesting. I said to her, rubbish, that’s just my problems. You haven’t seen my art yet.

We lined up for Amanda to sign things. I could barely hobble. She looked exhausted. I knelt by her table while she signed my T Shirt that says “We are the Media” and said to her

A friend of mine killed themselves last week. I wish they could have been here. I just sat with you and a room full of strangers singing ‘I don’t belong here’ and felt a stronger sense of belonging than I have in a very long time. Thankyou

She listened. She looked grieved. She held my face, and told me I was welcome. I got to tell her. I didn’t get to tell so many of my other heroes who have died, like Bradbury, how much they mean to me.

Home then, exhausted and into bed. I reached out to some local arts communities I saw there. I followed Amanda on twitter to say thankyou again, not wanting the night to end, not wanting to lose the sense of hope and life that burned brightly within me.

But sleep did not come. Rose and I were awake until 5am talking about life and art and love and babies and freedom. We finally fell asleep in each other’s arm, at peace. 

I want out of the conventional life I keep somehow sliding into. I want more artist friends. I want to make great art. I want to feel alive.

Since last night, I believe that artists can help mental health as much or more than psychologists, can build communities as much or more than social workers. The world is a better place.

Into Art

I’m writing from the SA Writers centre, where I’m attending an all day workshop about how to work with communities as a writer. I’m glad I came, despite my horrible lack of sleep and sense of total emotional exhaustion. It’s interesting to reflect on groups and dynamics as an artist rather than a peer worker. Always learning.

This week was incredibly difficult. Amanda’s funeral was beautiful and draining. I’ve had a bunch of big, emotional conversations with various people over the week. Bridges has been in a very painful place. I’ve worked hard this week. I’ve drained my capacity to the point where I’m shaking with exhaustion and feel like I’m going to throw up. Finally, now that it’s Saturday, I don’t have to be okay. I don’t have to be a peer worker, don’t have to make sense of anything, don’t have to be responsible for anything except my own head space.

I woke up this morning drowning in self loathing. Deep in the pit, a place I retreat to when the only way I can feel safe is to try to hate myself more than anyone else possibly can. Shutting myself down from blogging, from reaching out to my networks on Facebook, because I’m afraid of any of the people I’ve shared a crisis space this week reading themselves into my words, being hurt or angry, of undoing all the effort I’ve put into reaching out and building connections. Trapped in a space where I can’t speak, can’t connect, and cannot myself be deeply wounded.

Today I could have stayed home, tried to rest, and collapsed deeper into the pit. Instead I found Nine Inch Nails and the brutal liberation of being only my own person, the freedom of being allowed to be a little bit brilliant and a lot messed up.

So, on goes the blue lipstick today. Today I’m an artist. Don’t follow me anywhere. Don’t listen to me. Don’t look up to me. Don’t need anything from me. I don’t speak for anyone else. I don’t have answers. I have rage, passion, joy, insight, longing. All I promise is to be real.

Can I finally breathe again?

Honey, like this, I can fly.

Spoken Poem – Night

I’ve been wanting to experiment with spoken poems and podcasting for awhile now… art rather than sleep happened last night which is, right this moment, something I’m quite happy about. I’ve been doing a staggering amount of admin and paperwork lately and feeling rather fragile, so this is something I’ve been wanting to reward myself with.

Made in adobe premiere pro, which I’m still quite a novice at using. It’s not perfect but for an evening’s work I’m very happy with it. If the link below doesn’t work for you, go here. You can read the poem here.


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Tonks is having a good day

I can’t really say the same. This is what my loungeroom currently looks like. I’m also columns deep into various excel spreadsheets, trying to sort out all the records for my business. I didn’t know how to set this up when I fell into my business last year, so it’s a nightmare mess. I’ve been at it all for a lot of hours now and I’m starting to flag. I have paperwork due tomorrow that I simply can’t get ready in time without the help of an accountant, which I’m in the process of organising. Still, I’m making progress, and I haven’t had a panic attack. I think that once I’ve got my record keeping paperwork and files set up, I’ll be okay, data entry is fine it’s knowing what records need keeping and trying to work out an efficient way of keeping them that’s causing so much of the stress.

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I’m keeping pretty cool because last night I had a great time out at my local goth club. Bit of a boost before the crushing reality of our modern ‘paperless’ office, ha. Here’s the face paint I designed for the occasion:

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And, as promised, a photo of Tonks. He and Sars are getting along really well these days. Here they are cuddling on my couch. He’s currently asleep on my pile of paperwork marked ‘VIP Business Docs’.

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Special FX Workshop

Today I went to a workshop on creating artificial injuries. We used latex and other products to create wounds, cuts, burns, and scars. I’d been at a fancy dress party that afternoon, so I turned up looking like this:

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And did this to my hand:

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I’ve learned some great techniques for kids undead or zombie parties too. I’ve been doing a few workshops lately so I need to spend some time practicing all the new techniques and memorising how all the products handle.

I’m starting to drive again after the difficult week. Still feel quite fragile emotionally and struggling with little lingering after affects such as a strong feeling of being watched when I’m alone, and a sense of disconnection from all my friends. It’s hard to know how much to stay with my usual routine, and how much to just bow out of life while I’m feeling so raw. It’s good to be able to look at the night sky and see nothing. To have the shadows go back to being empty.

 

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Minor floods and other news

Sarah K Reece - flooding the unit

This was my evening yesterday… It turns out my bathtub cannot be emptied in one fell swoop without water coming up through the shower drain. Due to the unusual sloping of floors in my unit, this water will pour out of the bathroom, through into the studio, into the bedroom, and then run under the bed against the far window. There was a lot of mopping and wet towels going on last night. On the plus side, my floors are clean!

I’m planning another trip to Broken Hill next week to spend some time outback with my sister and some of my favourite poets. I’m hoping to be well enough to share the driving, generally speaking time in nature is very good for my headspace. Rose won’t be able to come due to work, sadly. She’ll be looking after Zoe back home, in an act of devotion that deserves a lot of flowers!

In other news, I’m very excited to have received my order of gorgeous little gemstones in the post.
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These are for use in my face and body painting. They are not the top quality swarovski crystals, but they are beautiful with an Aurora Borealis finish and affordable enough to use on children. (not under three, obviously)
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Here they are in black, I love the peacock tones. 🙂 This is fire red:
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I’m taking things gently today, washing a lot of clothes and wet towels, hoping to do some dishes before spending some time with friends this evening. I have a special effects makeup clad this weekend I’m really looking forward to.

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New aftercare cards!

Just arrived in the post! I’m so excited! Now I have a very pretty one suitable for kids or adults who get face or body paint, and the orange one is for glitter tattoos and all temporary at made with skin safe adhesive. Whoo hoo! They are both easy to read with quote large fonts for this size card, and the orange one I was a little worried about is fine!

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Yesterday I just ordered a new one for the temporary tattoo inks I’ve been learning to use too… It’s all happening! I’ve also secured public liability insurance, so making headway on the long long list of admin. I love the feeling of making progress, keeps me motivated through the drudgery. I’ve also ordered some sweet little party gifts for children’s birthday parties but they’re a surprise so no sneak peak photos ;-). Now I’m back off to bake the truly incredible six layer birthday cake I’m working on for Rose’s party this weekend. Loving all the creativity in my life at the moment. Happy sigh.

Ink tattoos

I’ve been working very hard again on my admin list. One of the more fun things I did today was finally spend an art voucher I won for an ink painting last year, on a new set of brushes for temporary skin tattoos. Then I sorted a box and a set of holders for them.
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Very swish! The tattoo i created on myself in the workshop is still going strong, ten days later and a camping trip included!
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In other news I accidentally whacked my face on a gate handle the other day and feel like someone hit me with a steel pole!
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I’ve had a lot of trouble with my blog all of a sudden and had to migrate it across to WordPress while I try to fix things. The links may or may not work for you but at least the content is safe. It’s my lovely girlfriend Rose’s birthday today and I’m making the cake so I’ll probably be around Facebook more than the blog for a couple of days. The recent camping trip was great but tiring, it’s a lot of work for such a short stay. I’m hoping to get back to Broken Hill shortly to catch up with my favourite poets. One last photos for today: Rose bought me a beautiful rainbow swirl hand dyed bedspread which has just arrived in the post… Tonks approves too.
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